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Word: madchild (lookup in dictionary) (lookup stats)
Dates: during 2001-2001
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Usage:

Comprised of MCs Prevail and Madchild, Swollen Members have created a notable underground following in the California rap circuit, and managed to become one of three groups affiliated with the Rock Steady Crew—Dilated Peoples and The Arsonists round out the triumvirate...

Author: By Thomas J. Clarke, James Crawford, Thalia S. Field, Andrew R. Iliff, P. PATTY Li, Michael T. Packard, Matthew F. Quirk, and Marcus L. Wang, CRIMSON STAFFS | Title: GimmeGimmeGimme | 12/7/2001 | See Source »

...duo’s sound is not ground-breaking, and may even sound similar at times to various other artists, but is not elementally derivative. Madchild, who also doubles as producer and head of the group’s label, Battle Axe Records, has a nasal timbre that sounds like a blending of Cypress Hill’s B-Real, and everyone’s favorite caustic caucasian, Marshall Mathers. Prevail’s tone is deeper—perhaps how Dr. Dre’s little brother might sound on the mic. These points noted, the combination is effective...

Author: By Thomas J. Clarke, James Crawford, Thalia S. Field, Andrew R. Iliff, P. PATTY Li, Michael T. Packard, Matthew F. Quirk, and Marcus L. Wang, CRIMSON STAFFS | Title: GimmeGimmeGimme | 12/7/2001 | See Source »

Their lyrical content is at times slave to some of rap’s common themes, e.g. money—“I’m on six figures bitch, you drivin’ rental vans!” exclaims Madchild on “RPM.” Overall, however, the band hovers at a more conceptual and complex level—“dungeons and dragons” as Madchild describes their near mystical stylings in “Take it Back.” When playing to this depth, and combining eerie and haunting beats...

Author: By Thomas J. Clarke, James Crawford, Thalia S. Field, Andrew R. Iliff, P. PATTY Li, Michael T. Packard, Matthew F. Quirk, and Marcus L. Wang, CRIMSON STAFFS | Title: GimmeGimmeGimme | 12/7/2001 | See Source »

Both Prevail and Madchild are gifted with notable flow, and are at their best when they roll in minor keyed and haunting beats: “Dark Riders,” “High Road” and “Bad Dreams” joining “Deep End” are the best examples of this. While they succeed in pulling off a more commercial vibe on “Fuel Injected,” which features the Nate Dogg-ish Moka Only lacing the track with his smooth bass/baritone, they remain best suited...

Author: By Thomas J. Clarke, James Crawford, Thalia S. Field, Andrew R. Iliff, P. PATTY Li, Michael T. Packard, Matthew F. Quirk, and Marcus L. Wang, CRIMSON STAFFS | Title: GimmeGimmeGimme | 12/7/2001 | See Source »

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