Word: madding
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Dates: during 1950-1959
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...Allen arrived by train; on hand to meet them were Ike and Jester George, whose early-October Palm Springs hospitality the Eisenhowers were returning. As they chatted on the platform, Mamie looked at the overcast, said to Mary Allen: "If the sun doesn't shine, Ike will be mad." Ike, sporting the National's green blazer and a grey and tan checkered sports shirt, replied confidently: "Don't worry, it will burn off." Sure enough, sunshine poked through the clouds that afternoon; after some paper work at his office above the pro shop and lunch with Mamie...
...Speed Mad. At 7 a.m., in silk dressing gown and polka-dot pajamas, he padded down the hall of Laranjeiras Palace, his official Rio residence, to his one-chair barbershop for an hour-long ritual of shave, facial massage, manicure, interviews, English lessons, more phone calls. Ahead lay a morning of decisions: "I think you should get the Belo Horizonte-Brasilia highway ready by January instead of April. Why can't the contractors do it now and charge it to next year?" At 1:30 he ate a big lunch with his wife Sara and daughters Marcia and Maristela...
...painting, in which both come out badly maimed," declared Art Critic John Canaday on Page One of the New York Times; "The most beautiful building in America," retorted Critic Emily Genauer in the New York Herald Tribune. "A building that should be put in a museum to show how mad the 20th Century is," editorialized the New York Daily Mirror. "Mr. Wright's greatest building, New York's greatest building." said Architect Philip Johnson, "one of the greatest rooms of the 20th century." "Frank has really done it," snapped one artist. "He has made painting absolutely unimportant...
...dollar and got a job with a company that manufactured primitive stock tickers. As a repairman, Edison witnessed the 1869 Wall Street panic, when the "Erie Railroad Ring" tried to corner the nation's gold supply. As the crowd surged wildly about him-a prominent banker went mad and had to be restrained by five men-Edison shook hands with a colleague, commented later: "I felt happy because we were poor...
Changed Scene. Outstanding among the young realists is 31-year-old John Bratby (TIME, March 12, 1956), who was called in to paint Gulley Jimson's big-footed canvases in the film version of Joyce Gary's The Horse's Mouth. "It's illogical and mad," Bratby confessed afterwards, "and springs from God knows where, but when the spotlight's on me, I feel enormously encouraged." Last week the spotlight was on Bratby again, with a show in London's Zwemmer Gallery of 28 new oils, turned out at a stupendous clip...