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...What they got from Tommy Boyce and Bobby Hart, Carole King and Gerry Goffin, Neil Diamond and others was a repertoire that any "real" band would envy, rivaling that of any '60s pop stars. It wasn't heavy, but brother was it tuneful - and fun. What's more, the made-up combo more often than not sang the hell out of their hits; eventually, they demanded more control over their destiny (exit Kirshner) and began to play and write their own songs, some of them quite decent. They woke up, but for a short while the dream continued anyway...

Author: /time Magazine | Title: Hey, Hey, They Were the Monkees | 3/16/2001 | See Source »

Kong dies, so it's sad, but the world he brought with him was still better than the one I was in: made-up, perfect, grand, a matte painting of a path up a vine-covered cliff, dramatically lit by a shaft of sunlight through a break in the clouds. I could interpose it between myself and the depressed new-suburban vista that surrounded...

Author: /time Magazine | Title: Monkey On My Back | 3/9/2001 | See Source »

Martin Indyk's career as a U.S. diplomat has been bizarre, to say the least. "He's like a made-up person," marvels a colleague. An Australian who once worked for his country's intelligence service, Indyk caught Bill Clinton's eye in 1991 while heading a pro-Israel think tank in Washington. He became a U.S. citizen only 10 days before being named Clinton's top Middle East hand on the National Security Council. Two years later, he became the first Jewish-American ambassador to Israel. Then came a stint as Assistant Secretary of State for the region...

Author: /time Magazine | Title: Talking Out of School | 10/9/2000 | See Source »

...Hard Day's Night" The title track of the most influential music film ever (think MTV would have existed without it?) has it all - the clever, made-up title (John via Ringo); boundless exuberance; relentless splashing cymbals; the Lennon/McCartney tag team as Paul takes the bridge that was too high for John to sing. The first record I ever bought, and still the best...

Author: /time Magazine | Title: All You Need Is Tunes | 10/4/2000 | See Source »

...legacy was his music. Allen says of his creation: He was funny. Or if funny is the wrong word, sort of pathetic in a way. I mean he was flamboyant and he was boorish and obnoxious. The documentary conceit has the effect of making the story feel distant and made-up, but it also allows the screenplay to be uninhibited about making the characters into pure flights of fancy, without worrying too much about contradiction or consistency. The movie is more interested in portraying what we might imagine the life of a 30s jazzman would be like than getting bogged...

Author: By Erwin R. Rosinberg, | Title: Sweet Lacks Flavor | 12/10/1999 | See Source »

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