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...When he dropped out, the role went to Day-Lewis, an actor nearly the opposite of Bardem. He's coiled, wary, and has a spirit that's not even slightly Mediterranean. In 8-1/2, Mastroianni was such a natural charmer - so, we have to say, Italian - that he made indolence attractive; in that film, a perpetual sexual adolescence was not a flaw but a goal (especially because women kept throwing themselves at him, and what woman wouldn't?). Day-Lewis has wit, looks and a furious dedication to every role, but he's so tense and intense that...
...singing, speaking or just staring darts at her philandering mate. Pain rarely seemed so proud, or hurt so regal, as in Cotillard's rendition of the melancholic rhapsody "My Husband Makes Movies." There, a lovely scene when the ex-actress Luisa, while watching screen tests Guido has made for his new project, sees him lavishing exactly the same attention on a new girl that he did on her when she was just starting in pictures; the kind words and gestures she thought were meant for her alone are revealed as a trick directors use to flattter an actress into giving...
Editor's Note: Upon the publication of "Kids Who Would Be King" on Nov. 12, 2008, a major source in the article claimed that the author of the piece had made an agreement with him that was henceforth broken. Consequently, editors at The Crimson determined that it would be appropriate to alert readers' attention to the following addendum written by the author, explaining in finer detail the circumstances of the agreement she had made with her source at the time of the article's reporting...
...going to say that he was planning to reach a certain political office in a certain number of years. He said he had no definite plans for post graduation, and he thought it was stupid for college students to make grand predictions about their political futures. It made them look like tools, he said. He didn't want to come off as a tool...
...readers. It was my job to pose interesting questions and find out the answers. As a reporter, making people unhappy or uncomfortable is often a sign that you're onto something that's actually worth writing about. Of course, there’s a calculation to be made about the value of information to the public versus the distress it may cause to individuals—a calculation that’s more difficult when the main public benefit is entertainment...