Word: madea
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Meatballs thus becomes the year's seventh film and its first animated feature to spend two weekends at the top of the box office. None of the other repeaters - Paul Blart: Mall Cop in January, Madea Goes to Jail in February and, over the big summer season, Night at the Museum 2, The Hangover, Transformers 2 and Final Destination 4 - are likely to earn a slot on the newly expanded, 10-title list of Oscar nominations for Best Picture. Nor did any of them except The Hangover earn money-quote lines from the critical establishment. But they underline the importance...
...cheap at his studio in Atlanta, his raucous, down-home, Christian-tinged comedy-dramas bring out imposing masses of African Americans - the largest niche audience in the country. This was his third highest opening weekend, behind two movies that featured his tart-talking drag grandma in the title: Madea's Family Reunion and Madea Goes to Jail, which respectively grossed $63.3 million and $90.5 million. By doing the Lord's work with a touch of sass, Perry has proved himself a prophet who makes a profit...
...Card Card is the author of Magic Street, Ender's Game and the Women of Genesis series Tyler Perry's plays and movies speak from and to the black community, but his message reaches far beyond. Starting with nothing, he built his empire on faith, hope and loyalty; his Madea keeps us sane by blurting out the secret thoughts of civilized people...
Although certain self-parodying epiphenomena of the Age of Profligacy - so long, Paris Hilton! - are about to disappear, fun will endure. Hollywood is doing fantastic box-office business, thanks to insanely unserious movies like Paul Blart: Mall Cop and Madea Goes to Jail. The Colbert Report has been a special haven of sanity amid the sky-is-falling hysteria. And again, history is encouraging in this regard: Saturday Night Live and modern comedy were born during the malaise-y '70s, just as wit and humor - the New Yorker, the Marx Brothers, screwball comedy - flourished in the '30s. I'm even...
It’s too bad that “Madea Goes to Jail”—Tyler Perry’s latest film adaptation of one of his countless plays—is not principally concerned with Madea, nor with her going to jail. After playing the quick-witted, ill-tempered, church-resistant elderly woman in two other films (“Diary of a Mad Black Woman,” “Madea’s Family Reunion”), Tyler Perry has here subordinated the storyline of his most interesting alter...