Word: madelyne
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DIED. Bob Carroll Jr., 88, veteran TV writer who helped define the seminal '50s sitcom I Love Lucy; in Los Angeles. Carroll and partner Madelyn Pugh were the first permanent writers hired for Lucille Ball's 1940s radio show My Favorite Husband--the precursor to the TV hit starring Ball and real-life husband Desi Arnaz. Carroll, who later wrote for The Lucy Show and Life with Lucy, went on to write for every I Love Lucy episode...
...music. Next was the Harvard Ballet Company’s “Parsons Etude,” which was also performed in the recent Mainstage production “American Grace.” Joanna R. Binney ’08, Lauren E. Chin ’08, Madelyn M. Ho ’08, and Emily B. Stoeckel ’07 executed the whimsical choreography by David Parsons cleanly and gracefully. The highlight was a segment during which all four dancers are spread on the floor as if sleeping, switching positions in synch to the accelerating music...
...also references the group’s ability to take “really traditional American music and bring to it new life and new energy in a really fun and exciting way.” After a Chinese dance performance by Kevin Koo ’07 and Madelyn M.L. Ho ’08, and before a performance by the Harvard Ballroom Dance Team, The Fallen Angels and The Veritones will perform. Fallen Angels President Anne S. Waters ’07 says their material will range from Ashley Simpson to Kelly Clarkson to country. She adds...
...claim to the crisp style of Fosse. By the end of the number, after the addition of bowler hats, canes and white gloves under blacklight, the piece was nearly a tribute, but the flirty theatricality of character was consistently lacking—except for in featured dancer Madelyn Ho ’08 and a few other individual performers.Overall, “Dancers’ Viewpointe VI” was a unique exploration into the unknown studio dance culture at Harvard. The choreography and staging overflowed with creativity and effort and the dancers performed with admirable technique. But the modern...
...limits.”Gianni DiMarco, a dancer and choreographer from the Boston Ballet, choreographed the third number specifically for this concert. The piece has a challenging seven-count time and promises innovation all around.“It’s modern on pointe,” says Madelyn M. Ho ’08, one of the seven dancers in the contemporary ballet piece. The fourth number, titled “The Rose Hunt,” is a student piece by Ebonie-Shay D. Hazle ’06, who is also a Crimson editor. Choreographed last...