Word: madigans
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...Madigan. Donald Siegel's elegant classicism imparts thoughtful ambiguity to this excellent police melodrama. The honesty of the filming (and of Siegel's fine actors) make the fate of the characters a matter of some importance to the audience. As we become involved, the script's resolutions assume moral force, and the inconclusiveness of real-life relationships is ably conveyed through intelligent use of genre. Siegel makes few personal judgements along the way and we are left to our own instincts in dealing with Madigan, his wife, and the Police Commissioner; consequently, Madigan's death doesn't resolve anything neatly...
Coogan's Bluff, Donald Siegel's second film of 1968 falls just short of Madigan by virtue of less serviceable writing and blunter editing. Nonetheless, anyone willing to bypass an unfortunate reliance on convention gets caught up in a compelling and consequential morality play, honestly acted and extraordinarily well filmed...
Coogan's Bluff--One of Donald Siegel's ("Invasion of the Body Snatchers," "Madigan") finest films, its pleasantly mechanical script completely transcended by the honesty and directness of Siegel's style and a moral concern for the fate of his characters. Clint Eastwood is fabulous, and the Siegel stock company (Susan Clark, Don Stroud) again proves a group of Hollywood's most capable new actors. Marred only by an unfortunately pedestrian last 60 seconds. At the ORPHEUM, Washington...
Coogan's Bluff--One of Donald Siegel's ("Invasion of the Body Snatchers," "Madigan") finest films, its pleasantly mechanical script completely transcended by the honesty and directness of Siegel's style and a moral concern for the fate of his characters. Clint East-wood is fabulous, and the Siegel stock company (Susan Clark, Don Stroud) again proves a group of Hollywood's most capable new actors. Marred only by an unfortunately pedestrian last 60 seconds. At the ORPHEUM, Washington...
Coogan's Bluff, Siegel's latest film, will bolster his already exalted position among his followers, even though it may not do much to make his name a household word. Like most of the other 24 pictures he has directed (among them: Madigan, Riot in Cell Block 11), this one is the sort of gritty cops-and-robbers movie that audiences take for granted. Coogan's Bluff has all the qualities that distinguished Siegel's previous efforts: it is fast, tough and so well made that it seems to have evolved naturally, almost without benefit of cast, crew or rehearsal...