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...title character's letters to the star as his obsessive fantasies of love turn into malevolent schemes of destructiveness. And somehow, when his words become deeds, the intrusion of maniac disorderliness on the slickly complacent world of these show people is extraordinarily harrowing. Michael Biehn, as the madman, combines a sort of mad innocence with creepiness very effectively, and there are good bits, as well, by Maureen Stapleton as Bacall's patiently put-upon secretary and by Hector Elizondo as a smart but slightly star-struck...

Author: /time Magazine | Title: Cinema: Distant Love | 6/22/1981 | See Source »

WHAT AILED VINCENT? "I am either a madman or an epileptic," wrote Painter Vincent Van Gogh. Certainly the facts of his life seem to bear him out. In his last years he cut off part of his left ear, drank kerosene, ate paint, and was in and out of a French asylum. In 1890 he shot and killed himself...

Author: /time Magazine | Title: Medicine: Capsules: Mar. 16, 1981 | 3/16/1981 | See Source »

...novel I had to get up every day at six in order to be at the law school at eight. I was in classes until 11 and then I went to the foreign ministry where I worked until 2:30. Then I'd go home and write like a madman until 6 or 7:30. Then I'd go out and dance the Mambo and meet girls and go to bed at four and rise again...

Author: NO WRITER ATTRIBUTED | Title: A Lengthy Career | 3/6/1981 | See Source »

...noble cliches of art history, they can be seen afresh through their relationship with the work of other artists. The service this show does for Van Gogh is to place him in a clear but somewhat unfamiliar cultural context, so that he is seen not as an inspired half-madman working out his obsessions in isolation, but as an artist in constant dialogue with his comrades...

Author: /time Magazine | Title: Art: Prophets of an Archaic Past | 2/23/1981 | See Source »

...edge beneath the verbal byplay, a sardonic vision reminiscent of Catch-22. If Wood disrupts the humor and flow with the prolonged dispute between the workers and Bean, it's because he has a point to make. War or moviemaking is nothing but a chaotic nightmare; and while some madman director-general barks orders from a crane, several hundred lowly paid extras, be they Irish soldiers in the British Army in 1775 or Irish extras in a British movie in 1976, run around and get shot...

Author: By Jonathon B. Propp, | Title: Myths, Movies and Men | 1/28/1981 | See Source »

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