Word: madnesses
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Dates: during 1940-1949
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...mad about his mind," said Fleur. The madness was mutual. Mike Cowles found that his bride had so many ideas for Look that he put her to work on it. She knew little about magazine editing but she knew what she liked-and thought other women would too. She added sections for women, tied in the covers to fashion features, saw that every issue had "female appeal." Look began capturing women readers. "Before," says Fleur, "it was bought by two million men, and women read it sort of by inheritance...
...went and said to him, 'Do not lie there like a toad. Why not go to your regiment and be a man?' He turned up his face with a stupid, terrified look . . . and then without a word turned his nose to the ground." Other men, mad with terror, tried to hide in a fold in the ground: over them stood Union General Gibbon, saying "in a tone of kindly expostulation: 'My men . . . All these matters are in the hands of God, and nothing that you can do will make you safer...
...Paris, which has not had a princess of its own to smile at for some time now, Britain's Elizabeth was (as they say in French) a mad success. Four thousand people jammed the epically dirty Gare du Nord when the London-Paris night ferry train puffed in. A Dunkirk railway worker had hung a sign on the locomotive: "Zezette" (French for Lizzie...
...deal gave Hughes a $16,000,000 stake in Hollywood, biggest of any cinemogul. In addition to buying control of RKO, he has spent about $2,400,000 for his completed but unreleased picture, Mad Wednesday, another $3,000,000 for Vendetta, still unfinished. And he still has $1,750,000 tied up in The Outlaw. With RKO's chain of 124 houses, Hughes will now have an outlet for his movies, at least until the antitrust suit against moviemakers is settled...
There was also high praise for 19-year-old Jean Simmons' Ophelia. Wrote the New Statesman's thoughtful William Whitebait: "Ophelia comes out with a clarity I have never before known on the stage or, for that matter, the text . . . Miss Simmons' mad scenes (she acts them very simply; her beauty does the rest) are the most affecting I have known; in fact, this is the first time, in my experience, that the shock of Ophelia gone mad has moved and not embarrassed...