Word: madnesses
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...Penn has reduced its lectures to 60 seconds, and a retired Yale employee almost shot up the HR office. Add to that the fact that Harvard and Yale have posted 30 percent endowment losses, and we're left to conclude that the Ivy League might be going mad. More after the jump...
...order to hit the ground running after a nice, long summer, let’s consider a hypothetical. A group of representatives from People for the Ethical Treatment of Animals (PETA) walk into an advertising agency—say the firm from “Mad Men.” John Hamm’s character sits staring across the table, trying to act like he doesn’t want a cigarette, and he says to PETA, “Now tell me, who exactly would you like your ads to target? Because as of now, it seems...
...Like Coraline, 9 opens with a creepy sewing scene as the mad and soon-to-be-dead scientist puts the finishing touches on Number 9, the last of his creations. The dolls are distinguishable by the numbers stamped on their backs and the various notions that adorn them. Wise Number 2 (voiced by Martin Landau) laces up like a corset. Number 5 (John C. Reilly), who is cuddly, sweet and needs ego-boosting, is missing an eye and wears a lone button on his chest, kind of like Don Freeman's beloved bear Corduroy. Number 6 is loopy, creative...
...based childhood. Much of the film is devoted to Harris’ upbringing and his relationship with his mother, whom he refused to see even on her deathbed. Interviews with Harris’ brother, in particular, reveal how he went from television addict to internet geek to friendless, heartless mad scientist. Though Timoner refers to herself as a “freak magnet,” the film has a surprisingly sympathetic gaze, making it much more than a voyeuristic expose of a socially-stunted creep...
...Moore says, "I refuse to live in a country like this - and I'm not leaving." But this call to arms demands more than a ringleader; it requires a ring, an engaged citizenry who are mad enough not to take it any more. That's unlikely to happen. Moore's films are among the top-grossing documentaries in history because they are pertinent populist entertainments. The question remains: will Capitalism: A Love Story rouse the rabble to revolt? Or will audiences sit appreciatively through the movie, then go home and play the cat-in-the-toilet video...