Word: madonna
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Dates: during 1990-1999
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Even a lower-echelon dealmaker or trader could drown in this year's bonus pool, filled by the huge flow of investors' money into Wall Street and by auction-quality bidding for talent. "It's like Madonna or Michael Jordan," exclaims Alan ("Ace") Greenberg, chairman of Bear Stearns and one of the Street's franchise players. This year Ace scored bonuses, on top of his cheesy $200,000 base salary, adding up to $18,840,701 in cash, stock and what a proxy statement calls "other compensation," more than double the pedestrian $8 million he got last year. And that...
...Russell hallucinogen; the lead actress might have been Meryl Streep or Michelle Pfeiffer. But here it is--20 years after Tim Rice and Andrew Lloyd Webber first produced their gorgeously cynical opera about Eva Peron--reimagined through the eye of director Alan Parker and the flesh of Madonna. The take is dense and studious, an aptly conservative adaptation of a pop classic; it lets the score seduce and the star shine. Madonna, who is up to the vocal demands of the role, makes Eva--sexual predator, social climber, queen of the Argentine, would-be saint--an appealing character...
Well, maybe they were what two famous women desired. Maria Eva Ibarguren Duarte de Peron kept her eye on the spotlight, her hand tightening around the cojones of power. And Madonna fought like hell for the right to incarnate, in one of the era's most vivid musical dramas, a woman whose career and notoriety mirror her own: model for steamy photos, singer on the radio, movie actress of disputed pedigree, sexual adventurer. In both these stars one can see the great goad of ambition, the ability to enthrall and outrage. So there's tabloid poetry in the fact that...
...Madonna once again confounds our expectations--and, at times, exasperations. At first a star more famous for attitude than for voice, she proved, in the 1990 Dick Tracy, equal to the sere demands of Stephen Sondheim's songs. Here again she does a tough score proud. Lacking the vocal vigor of Elaine Paige's West End Evita, Madonna plays Evita with a poignant weariness, as if death has shrouded her from infancy. And dressed in sumptuous gowns or feeling life seep away, she has more than just a little bit of star quality. Just before Eva's death, she sings...
...panel portrays the artist's dream of escape. The blue horizon (the color of peace) beckons; the king in the boat makes a calm gesture of benediction with his right hand while his left releases a school of small fish from a net trailing in the sea; and a Madonna figure with a child looks on. The painting pulls together a string of images: Christ on the Sea of Galilee, the Fisher King, Beckmann himself. Its relative serenity would not reappear in the triptychs to come...