Word: madonna
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Dates: during 1990-1999
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...simply to vocalize, he's out to entertain. On Shake Your Bon-Bon, he parties hard; on She's All I Ever Had, he delivers a power ballad with impressively aggressive sincerity. One of the CD's best cuts is Be Careful (Cuidado con Mi Corazon), a duet with Madonna. It's a compelling pairing: we feel the love, but it is not between Martin and his duet partner; it's a shared passion for superstardom, from a woman who has attained it and an up-and-comer who wants...
When the film isn't twinkling with glitter, it does manage some Shakespeare in Love-style gritty subplots. For all its dedication to the original version, Hoffman manages to imbue this retelling with a number of strangely random eccentricities. From pixies who bear distinct resemblance to Madonna and E.T. to a scene in which a catfight descends into Victorian female mud-wrestling, the film tosses enough curve balls to satisfy those who miss their Stoppard...
...Verses' author) as the devil. A few years and a little hob-nobbing later, Rushdie, once a London music critic takes on the rock world from its birth in the '50s, through the glam '70s and into the technologically-driven '90s. Pop culture references abound; Elvis Presley, Bob Dylan, Madonna, Simon and Garfunkel, Andy Warhol and even Joh F. Kennedy. turn up somewhere, some of them slightly veiled by changed names. Rushdie's novel even had a rock band record its title song; yep, U2 did the honors on that one as well and will release the song on their...
...celebrities are drugged up, swaggering, stylized and often foolish. Through Vina and her famous friends, Rushdie shows us how fame is often unfulfilling, lonely and trifling. Andy Warhol's cultured set is brilliantly satirized, as is the delirious glam-rock movement that yielded Iggy Pop and David Bowie. Madonna Sangria is also skillfully caricatured and probably the reason why the real-life Madonna shredded her advance copy of the book...
...remaining pieces were also excellently executed. Perhaps the most famous of all child prodigies, Midori, like many one name phenoms (Madonna, Cher, etc.) has a style that is hardly replicable by any other. Playing what was once considered the Bartok Violin Concerto (before the discovery of the First Violin Concerto), one was led to a feeling of extreme awe. Awe at the masterful execution by this petite Japanese virtuoso, awe at her apparent humility, and just plain heart-thumping, jaw-dropping...