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...cliche diva stamping her foot. She's very intelligent. You've got to make sure you have the right answer when she has a question. She's a control freak, but so am I. When there was a problem, I would just say, 'Let her and me solve it.' " Madonna responds in kind: "Alan was very supportive during the shooting. He let me sort of follow my own instincts in a lot of cases. We had both been prepared to expect the worst from each other. And then we got together, and it was probably the smoothest working experience...

Author: /time Magazine | Title: MAD FOR EVITA | 12/30/1996 | See Source »

...other person Madonna managed to win over was Andrew Lloyd Webber. (He and Rice had sold the rights to Evita but retained approval of the casting.) In 1993, when Madonna was involved in an earlier effort to make the film, Lloyd Webber was quoted as saying she was too old to play Evita. "What I said was that by the time anybody gets around to making the movie, she'll be too old," he now explains. Vocally, he admits, Madonna did not come to the role with the powerhouse pipes of such stage Evitas as Elaine Paige and Patti LuPone...

Author: /time Magazine | Title: MAD FOR EVITA | 12/30/1996 | See Source »

...maintained his confidence even after a disastrous initial recording session, when Madonna was forced to launch into the show's biggest number, Don't Cry for Me Argentina, backed by an oversize, 84-piece orchestra whose members had never before played together. Lloyd Webber was upset with the musicians, Parker had first-day jitters and Madonna went home in tears. "I was so nervous," she says, "because I knew that Andrew had had reservations about me, and here I'm singing the hardest song in the piece. And all of a sudden there with everybody for the first time...

Author: /time Magazine | Title: MAD FOR EVITA | 12/30/1996 | See Source »

...whole ordeal of making the film seems to have produced--dare we say it?--yet another Madonna, softer, more chastened. Or maybe just more calculated. The former shock mistress brought tears to Oprah Winfrey's studio audience when she described feeling her baby kicking on Mother's Day. Department stores may be pushing the dolled-up "Evita look," but Madonna has switched to pastel colors, soft makeup and a demure, Catholic-schoolgirl hairstyle. (She donned the Evita look for the film's Hollywood premiere, but otherwise, she says, "it's something for special occasions. You're not going...

Author: /time Magazine | Title: MAD FOR EVITA | 12/30/1996 | See Source »

Strange, and all those years we thought Madonna knew exactly what she was doing. She still defends even her worst career missteps, like her 1992 book, Sex, a collection of kinky erotic photos, which finally pushed her provocative public image one notch too far. "If you read the text, it was completely tongue in cheek," she says. "It was a joke. Unfortunately, my sense of humor is not something that a mainstream audience picks up. For me all it did was expose our society's hang-ups about our sexuality. Yes, I took a beating...

Author: /time Magazine | Title: MAD FOR EVITA | 12/30/1996 | See Source »

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