Word: madonna
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THIS is about as deep as the political satire gets. Noah falls under the spell of the dictator's mistress--now his mistress--Madonna Mendez (Braga), who appeals to his conscience and presses him to effect social reforms, which he does with remarkable ease and neatness. If Mazursky seems politically naive here, that is to be expected. His Moscow on the Hudson and Beverly Hills were similarly naive. They were also bittersweet comedies, in the same vein as Parador, and none of these movies aspires to anything much higher than that...
Always at the street corner, always at our side, often at our mercy. The wild- eyed man blocks the subway-car aisle, slinging curses and entreaties. The gray madonna and her smudges of children hover outside the church, despair incarnate. The glib hustler in designer jeans glides down the movie line. The kids with the grimy windshield rags orbit the intersection. The old man with no eyes sits on the steam grates in winter in a wet cloud of pain. The obsequious panhandler waits outside the automated-teller machines, where wallets are full and walls are transparent. Somehow, always never...
...travel to the zoo or the aquarium or the science center on city buses. Or because they share a passion for reading, they will walk to the community library and find more books. "Mona teaches me all this stuff," says Katie, who asks Mona to dress her up like Madonna, or mousse her hair to make her look like a punk rocker. "I mean, I probably am not going to have cigarettes when I grow up because Mona says she was really addicted to them and it was hard for her to quit," says Katie. "She'll beat...
...task of realizing M.'s altered states fell to Sirlin, whose credits include, in addition to opera, Madonna's 1987 "Who's That Girl" tour. The Viennese venue was striking: a section of Hangar No. 3 at Schwechat International Airport. "We looked at a couple of beer halls, but we needed a bigger space," says Sirlin. "Then someone said there was plenty of space at the airport...
Hoffman draws us into the minds of each of the main characters to show us what each one is like, but the one we get to know the best is Amanda, who daily practices her floor routine to Madonna's "True Blue" and hopes she will never grow above 5'2" so that she can go to the Olympics. We watch her push herself practice after practice, with her upcoming meet as the only object of her attention. But we also watch her throw up after every practice, break out into sweat in her sleep, lose weight and pass...