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...doors of St. Peter's, and other examples of his well-known religious works, there are lusty compositions of embracing lovers in the spirit of Boccaccio, sensuous studies of Inge in the nude, and a 1967 bust of her that has the graceful serenity of a Donatello Madonna...

Author: /time Magazine | Title: Museums: Monument for a Humanist | 8/15/1969 | See Source »

...France seemed finally ended. And it was Marianne herself who broke off the affair. De Gaulle always knew that he was dealing with a woman both fickle and domineering. "The emotional side of me," he once wrote, "tends to imagine France, like the princess in the stories or the Madonna in the frescoes, as dedicated to an exalted and exceptional destiny...

Author: /time Magazine | Title: World: The End of The Affair | 5/2/1969 | See Source »

...were off for the final weekend of New England location-shooting of Prophetic Pictures, which Hunter is directing. For Tim, who graduated from Harvard last June, Pictures will be his fourth film since he came to Cambridge from New York five years ago. (The other three were Sinister Madonna, 1967, the first student film made at Harvard in 18 years; Desire in the Fire, 1967; and 3 Sisters, 1968, like the new film, made under the sponsorship of WGBH...

Author: By Frank Rich, | Title: The Ghosts of New Hampshire | 4/10/1969 | See Source »

Untouched by Guilt. In graphics, Munch was almost compelled to concentrate on one or at the most two aspects of his obsessive Eve. As a result, he often gained a depth totally lacking in larger group portraits of the three women. His sensuous 1895 Madonna captures a strangely melancholy bacchante, in the throes of some primeval ecstasy, clearly his "woman of lust." In Ashes (1889), she appears again, a wanton totally untouched by the guilt that overwhelms her partner-yet at the same time electrified by some outside, elemental force...

Author: /time Magazine | Title: Lithography: Three Faces of Eve | 2/21/1969 | See Source »

THREE YEARS AGO shooting my first film, a travelogue of Cambridge called Sinister Madonna, I directed the actors from a shooting script, each scene described in detail with the exception of one which read: "Kyle sits down at his desk, removes a single-edge razor blade from a drawer, and carves the word FOOL into his wrist. Cut to... etc., etc." Occasionally during the first months of production Steve Lerner, the lead, would ask me how I intended to fake it. Finally the night before the scheduled filming, I revealed my ace in the hole--namely that we weren...

Author: By Kevin Brownlow, | Title: The Parade's Gone By... | 12/6/1968 | See Source »

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