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...Boson Common. There were 50 of them, almost all under 35, the men dressed in black suits and black ties, the women in black dresses and short-visored black caps. As a small crowd of spectators watched, they set up a portable platform with a painting of the Madonna and a crowned figure of the Infant Jesus...

Author: /time Magazine | Title: Religion: I Preach Hatred | 10/13/1952 | See Source »

...oldest stories in the world, and Author Vittorini, like most of those who have retold it, has failed to avoid seamy sentimentality. His prostitute, aflame with love on one burner and cooking up illicit narcotic deals on the other, seems to Mainardi to be "The Madonna on Horseback"; but to the reader she is just a pipe dream. When the cops put her away at the end of the book, it is no more poignant than a decision by the gas company to lock up the meter...

Author: /time Magazine | Title: Books: Fascist Adolescent | 8/4/1952 | See Source »

...last week's show, critics found his new religious paintings the most impressive. And Dix agrees. Now he confesses: "Even as a young artist I had a longing to paint religious motives, not because I am a religious man but because the motives are so universal. With a Madonna, everybody understands what you're saying...

Author: /time Magazine | Title: Art: After Two Wars | 4/21/1952 | See Source »

Four years ago, Salvador Dali renounced his old Freudian nightmares, and hit the sawdust trail toward what he calls "true artistic classicism." One of his first big efforts in this direction was his Port Lligat Madonna (TIME, April 17, 1950), but in shifting from the subconscious to the serene, he tripped over a clutter of surrealist paraphernalia and fell flat...

Author: /time Magazine | Title: Art: Dali In London | 12/17/1951 | See Source »

Ermanno Wolf-Ferrari (1876-1948) was a 20th Century composer with 18th Century ambitions. In most of his 13 operas (best known: The Jewels of the Madonna, Secret of Suzanne), he aimed for classic form and comic elegance. At his best, he came close to being the poor man's Mozart; at his broadest, a kind of roughhewn Rossini. Last week he was Manhattan's newest opera...

Author: /time Magazine | Title: Music: First-Class Piccalilli | 10/29/1951 | See Source »

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