Search Details

Word: madonna (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Medici. Notable for its luxuriant and microscopic detail and for the figure of the Child asleep. Piero's own idea, that masterpiece was one of the few the Museum could lay its hands on that it considered worthy of hanging with such possessions as Filippo Lippi's Madonna & Child, François Clouet's Elizabeth of Valois. No less choice was the head of a Greek girl in Parian marble, 4th Century B.C., which the Museum snagged in June, The Boston Museum has the only other life-size fragment in the world which critics consider comparable...

Author: /time Magazine | Title: Art: Toledo Selection | 9/27/1937 | See Source »

...been seen before in the U. S., the majority on display were by expert Flemish and Dutch draftsmen of the 16th and 17th Centuries: Nicolaas Berchem, Phillips Wouwerman, Willem van Bemmel, Jakob van Ruysdael, Rembrandt, Rubens. Among the paintings which had been cleaned off and hung decently were a Madonna by Andrea del Sarto, portraits by the Elder and Younger Lucas Cranach, a panel by Pieter ("Hell") Breughel, works of Poussin, Van Dyck, Guido Reni, Durer, Tintoretto...

Author: /time Magazine | Title: Art: Crocker Collection | 8/30/1937 | See Source »

...fresco, and because paint had to be applied while the walls were wet, Artist Vanka stayed on his scaffolding virtually all day and usually until 2 or 3 a. m. At night Father Zagar stayed with him, droning prayers. Over the domed altar he painted a 36-ft. Madonna & Child in rich reds and blues, violet and silver, on one side wall a scene of Croatian peasants kneeling at the Angelus, on the other Croatian miners in the U. S. standing with heads bowed while a Franciscan priest, posed by St. Nicholas' pastor, kneels to invoke...

Author: /time Magazine | Title: Art: Millvale Murals | 7/19/1937 | See Source »

...National News-Photo Contest run by Editor & Publisher, newsmen's trade weekly. Last week the magazine's judges announced the winners: first, John Lindsay for Working on the Levee, a rhythmic frieze of Negro convicts toting sandbags in February's flood; second, James Keen for Lowland Madonna, another flood scene of a young refugee nursing her baby; third, Edward O'Haire for J. P. Morgan Listens, a shot taken at the Morgan Senatorial inquiry (TIME, Jan. 20, 1936) in which the financier, an Edwardian figure of immense substantiality, is shown leaning forward over his broad centre...

Author: /time Magazine | Title: The Press: Prize Pictures | 5/17/1937 | See Source »

...Press rejoiced, for Prizemen Lindsay, Keen & O'Haire are all A. P. men—a clean sweep. But before Winners Lindsay and Keen could collect their $100 and $50 prizes (to be taken either in cash or photographic equipment), an unfortunate complication arose: Working on the Levee and Lowland Madonna were declared ineligible. Editor & Publisher suddenly remembered that the Ohio-Mississippi flood occurred this year, not last, and that the contest had been limited to 1936 pictures. Apologizing handsomely, Editor & Publisher moved J. P. Morgan Listens up into first place and named two others for second and third. These were...

Author: /time Magazine | Title: The Press: Prize Pictures | 5/17/1937 | See Source »

Previous | 355 | 356 | 357 | 358 | 359 | 360 | 361 | 362 | 363 | 364 | 365 | 366 | 367 | 368 | 369 | 370 | 371 | 372 | 373 | 374 | 375 | Next