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Last week, Sir Joseph Duveen purchased from Lady Desborough, after secret bidding had determined his offer of $875,000* to be the most advantageous, Raphael's Madonna and Child, painted in 1508, probably the most notable Raphael Madonna extant outside of museums...

Author: /time Magazine | Title: Art: Madonna | 5/21/1928 | See Source »

...before taking it to the U. S. Lady Desborough, who had inherited the canvas indirectly from the third Earl Cowper who in turn had bought it from the Niccolini Palace in Florence 150 years ago, had dealt with Sir Joseph before. In 1913 she sold him the "small Cowper Madonna," also a Raphael, which now hangs in the Widener collection at Philadelphia...

Author: /time Magazine | Title: Art: Madonna | 5/21/1928 | See Source »

...reporting the news of the sale it was not too extraordinary that the Hearst syndicate, raising the price with habitual exaggeration to $1,250,000, should have described the painting as "Raphael's masterpiece, Madonna and Child . . ."; or that the Daily News, Manhattan tabloid, should have printed a reproduction of a Raphael Madonna which was not the one Duveen had bought, in the apparently idiotic assurance that there exists only one Madonna and that Raphael painted...

Author: /time Magazine | Title: Art: Madonna | 5/21/1928 | See Source »

...list of titles, dates, and speakers is as follows: January 20, "Louise", "The Jewels of the Madonna", and "La Gioconda", R. Y. Robison; January 23, "Alda", "A Witch of Salem", and "Romeo and Juliet", Professor Spalding; January 26, "Tannhauser", "Sappho", and Samson et Dalila", W. S. Smith; January 30, "Carmen", "Lohengrin", and "Tosca", Stuart Mason; February 2, "Martha", "Rigoletto", and "La Traviata", R. C. Robinson...

Author: NO WRITER ATTRIBUTED | Title: OPERA LECTURE SERIES TO BE GIVEN DURING SEASON | 1/18/1928 | See Source »

...Madonna & Child drew the greatest storm of rage and approval. By this more than life-size bronze (a splayfooted gawky peasant girl wiping her enormous hands on the flanks of a wretched skinny child), babbits were terrified. They said, one to another: "Well, I must say, I think it's blasphemous. Jesus looks positively Semitic! And when you remember the way Raphael painted the mother, it seems really shameful . . . the man must be an atheist!" Esthetes, on the other hand, became jubilant. "What strength," they murmured, "what superb nuance...

Author: /time Magazine | Title: Art: Again, Epstein | 11/28/1927 | See Source »

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