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Word: madonnas (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Prominently featured in the Chinese section were six paintings by a non-convert named Chang Chao-ho, who has been commissioned to illustrate the Church's first full translation of the Bible into Chinese. To him, as to Korean Sculptor Kim Chong Young, the Madonna was an almond-eyed lady in a flowing kimono. A Maori artist decked her in a long grass skirt. African carvers made her a Negro, often barebreasted, sometimes put heavy coils of beads round her neck. Indo-Chinese versions of the Madonna were apt to resemble the Buddhist goddess of Mercy, Kuan...

Author: /time Magazine | Title: Art: All Roads ... | 8/14/1950 | See Source »

...Monsignor Costantini, all that seems right and proper. European artists, too, had often represented the saints as being of their own race, place and period. The Buddhist goddess Kuan Yin, he explains, had many of the same virtues that Christians revere in the Madonna: purity, motherhood and the understanding of sorrows. He also approved of Hindu representations of Christ that looked like the god Siva, "because Siva is a highly spirtualized deity. But we do object to Christ being represented in the guise of Buddha, since Buddha is worshiped...

Author: /time Magazine | Title: Art: All Roads ... | 8/14/1950 | See Source »

...week's end there was double celebration in Rocca Massima: a traditional festival honoring the Madonna, and a party to mark the first gush of water from the new pipeline. Ex-Communist Cianfone brought out his trombone, took his place in the village band...

Author: /time Magazine | Title: ITALY: Pipeline to Rocca Massimo | 6/5/1950 | See Source »

...Port Lligat Madonna (see cut) was more traditional than appeared at first glance. The face of the Virgin looked like that of Dali's businesslike wife Gala, but he had given her a Raphaelesque pose, fixed her in a harshly geometrical composition and surrounded her with a Renaissance vocabulary of symbolic images. For example, the egg suspended from the scallop shell over her head was taken from a 15th Century Madonna by Piero della Francesca. The shell symbolized baptism, the egg, Resurrection...

Author: /time Magazine | Title: Art: Toward Raphael | 4/17/1950 | See Source »

...Dali poke holes in his figures and make everything float? "Modern physics," the artist explained with a twitch of his delicate handlebar mustache, "has revealed to us increasingly the dematerialization which exists in all nature and that is the reason why the material body of my Madonna does not exist and why in place of a torso you find a tabernacle 'filled with Heaven.' But while everything floating in space denotes spirituality it also represents our concept of the atomic system-today's counterpart of divine gravitation...

Author: /time Magazine | Title: Art: Toward Raphael | 4/17/1950 | See Source »

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