Word: madrid
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Dates: during 1980-1989
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There has never been a complete retrospective of Goya's work, but the next best thing may be the exhibition "Goya and the Spirit of Enlightenment," which was shown at the Prado in Madrid last fall, opened last week at the Museum of Fine Arts in Boston, and will be seen from May 9 at the Metropolitan Museum of Art in New York City. Organized by Alfonso E. Perez Sanchez, director of the Prado, and Eleanor A. Sayre, the eminent Goya scholar who is curator emeritus of drawings, prints and photographs at the Museum of Fine Arts, the show...
...what they do not possess -- especially not the Caprichos and the Disasters of War -- is the sense of intellectual decorum and poise that the well-born, French-reading illuminati of Madrid preferred the discourse of images to have. Goya was not good at optimistic allegory. His large painting of the adoption of the liberal constitution of 1812 -- the constitution as a maiden in white presented by Father Time while pretty Clio, the muse of history, takes notes -- is one of his few real pictorial failures...
...jobs, education and health care. Many of the area's poor people regarded him as something of a Mexican Robin Hood. The enmity between Salinas and Hernandez dates back to the President's tenure as Secretary of Planning and Federal Budget in the administration of Miguel de la Madrid Hurtado. At that time, Salinas accused both the oil union and Pemex, the state oil company, of inefficiency...
...fresh and refreshingly feckless designs of Sybilla, 25, of Madrid, and Dirk Bikkembergs, 29, of Antwerp, have mostly their brio in common. There is no serious risk that anyone would ever get their labels switched. Bikkembergs works out of a small, somewhat dilapidated studio, where he turns out a line of men's clothing that alternates between the sober gray severity of sweatsuit-style knitwear and the giddy excesses of retro-hippie sports clothes. Sybilla, who designs in a "dream house" atelier in Spain's sunny capital, makes mischievous, inventively styled fashions for women that work from no fixed stylistic...
Born Sybilla Sorondo in New York City, she worked for a year in Paris at Yves Saint Laurent as a seamstress, getting down her technique but drawing inspiration from the streets of Spain, where she grew up. She showed her first collection in Madrid in 1983, a "100% idealistic period, when I only did dresses for people who came to me." By 1984, however, she was selling her designs to other shops, and in three years she was producing more than her Spanish manufacturer could handle. She switched to GIBO, and although she admits, "I'm always terrified of losing...