Word: mads
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Dates: during 2000-2009
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...stage direction of professional J. Jacob Krause with music direction by Aram N. Demirjian ’08, and the strong cast performances. In particular, Kaawaloa portrays Richard as a caricature of a swaggering sailor—wonderfully drunk and obnoxious but generally good-hearted. Also noteworthy is Mad Margaret, love interest of Robin’s brother, played by Jessica G. Peritz ’06 with a mixture giddiness, attention-deficit disorder, and barely suppressed homicidal psychosis...
...restore your sense of wonder For years London was a hamburger wasteland. Remember the British take on American diners? Yech. The best most joints could offer was a fatty, premade beef patty lost inside a stale, wan roll. And if the bland, greasy taste didn't drive diners away, mad-cow disease and a backlash against fast food just about wiped hamburgers off London menus. But rejoice, burger lovers: the humble patty on a bun is experiencing a renaissance. Three stylish but casual premium-burger chains are challenging fast-food competitors with better bread and meat that goes beyond beef...
...scare the tuna salad out of him!" That leads him to Sam. After Leonardo performs a full repertoire of growls, glares and gesticulations, Sam bawls. Not because of Leonardo, alas, but because of a monumental toddler's hard-luck saga that he tells the monster: "... and I got so mad I kicked the table and I stubbed my toe on the same foot that I hurt last month when I accidentally slipped in the bathtub after I got soap in my eyes trying to wash out the bird poo that my brother's cockatoo ..." This is Leonardo's defining moment...
...books; studied and memorized their narrative outrages, their graphic ingenuity; saved them in meticulous stacks or mold-resistant wrappers. Then he hears his mother say she was cleaning up the basement and "I threw that junk out." Junk! the child cries. Those yellowing pages of newsprint, those copies of Mad and Vault of Horror and Weird Science were my obsession, my vocation, my youth...
...styles and narratives from the golden age of the daily strip. Peanuts' Charles Schulz is represented, as are the creator-artists of Popeye (E.C. Segar), Dick Tracy (Chester Gould) and Terry and the Pirates (Milton Caniff). From the '50s, the emphasis segues to comic books and graphic novels. With Mad, Harvey Kurtzman virtually invented what would become the era's dominant tone of irreverent self-reference. He inspired several of the artists, including R. Crumb, whose exemplarily twisted panels first appeared in Kurtzman's post-Mad magazine Help!, and Art Spiegelman, whose Pulitzer-prizewinning Maus in 1992 cued...