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...Mad Men • underpublicized commencement of third season...

Author: /time Magazine | Title: This Preposterous Week! Paul Slansky's News Index | 8/21/2009 | See Source »

...tension, she kisses Hyun and nearly seduces him; in another, he acknowledges both her attractiveness and his rapacious new nature and they consummate their relationship, one whose carnal excess will define the rest of the film. Their love is both sacred and insane: sacra-mental. And the movie goes mad with them. This is a mad love story that gets down to the essentials: ecstasy, pain and all the bodily fluids, especially blood. It's liberating to see a film that melds with the obsessions of its characters, that strips the moorings from genre expectations and leaves viewers asking...

Author: /time Magazine | Title: Thirst: Why Vampires Beat Zombies | 7/31/2009 | See Source »

...crowds in Tehran did not disperse until sundown. "At about 8 p.m.," said an eyewitness, "I went through Vanak again and saw the Mad Max army of [Basij] motor bikes amassed," taking control of the city once more. "But for a few hours," the witness said, "I saw a look in many people's faces that I had not seen since the week after the election - a look that said, 'We can win this...

Author: /time Magazine | Title: A Brief Euphoria in Tehran: 'We Can Win This' | 7/31/2009 | See Source »

...tell me that her little sister was having an affair with Joe. That's what she [told] me. She looked so nervous and she was so young-looking. She was 17, and I was 37. She just looked like a little kid. I was incredulous. I wasn't mad or upset. It was broad daylight and [noon] on a Tuesday, and lawnmowers are going and cars are driving by, and she's telling me her little sister is having an affair. There was never an indication that she was going to harm me. When I turned to go into...

Author: /time Magazine | Title: Mary Jo Buttafuoco: Life After Amy Fisher | 7/28/2009 | See Source »

Ensor drew lessons in form and color from Turner, Courbet and Manet, but the spirit of his work, the mad afflatus of his gift, owes more to the Germans. His devils are inherited from Bosch and Brueghel. His taste for the grotesque traces back to Grünewald. He, in turn, would hand on his caustic vision of humanity to the German Expressionists, younger artists like Emil Nolde and Ernst Kirchner who saw the possibilities in his combination of sour disposition and strident palette...

Author: /time Magazine | Title: Skull and Bones: The Haunted Art of James Ensor | 7/27/2009 | See Source »

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