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...really makes me mad, because we know he could have made it," Angela Sanders, the daughter of slain teacher William "Dave" Sanders, said in a television appearance earlier this week. The students who showed Sanders pictures of his family as he lay dying wanted to carry the teacher out on a makeshift stretcher; police said no, and by the time paramedics reached him hours later, Sanders was beyond help. Criticism has centered on the first half hour of the rampage, and whether the SWAT team did enough to stop the carnage and contain the teenage killers. Doubters have included...

Author: /time Magazine | Title: SWAT Team Finds Itself in a Sore Spot | 4/30/1999 | See Source »

...first piece after intermission, Nebjosa Zivkovic's "The Castle of the Mad King," was more successful as performance art than as listenable musical experience. The constellation of instruments employed was nothing short of bizarre. Glennie began with her back to the audience, bowing what looked to be a broken birdcage, then moved by turns to something resembling a giant pencil sharpener and something else resembling a strip of Venetian blind. The sounds were quite fresh but didn't add up to anything organic to challenge the brain beyond the ear. Glennie's infallible sense of rhythm, however, made for some...

Author: By Matt A. Carter, CRIMSON STAFF WRITER | Title: Trapped in Classical World: A Boston Weekend | 4/30/1999 | See Source »

...reality," constantly challenging his audence's ideas of "onstage" and "offstage." His view of the world seems at first childlike--as the doctor notes--but it steadily gains momentum and substance, building up to an explosion in which Henry reveals the truth. He is not mad and has not been for several years; rather, he feigns insanity in order to "tear off the comic masks" from the faces of others and to "reveal all their trappings as mere disguises." For Henry, life is a play and we are all characters--characters that we create, both for others and for ourselves...

Author: By John W. Baxindine, CONTRIBUTING WRITER | Title: Oh, Henry! Allusions of Grandeur | 4/23/1999 | See Source »

...reality," constantly challenging his audience’s ideas of "onstage" and "offstage." His view of the world seems at first childlike--as the doctor notes--but it steadily gains momentum and substance, building up to an explosion in which Henry reveals the truth. He is not mad and has not been for several years; rather, he feigns insanity in order to "tear off the comic masks" from the faces of others and to "reveal all their trappings as mere disguises." For Henry, life is a play and we are all characters--characters that we create, both for others...

Author: By John W. Baxindine, CONTRIBUTING WRITER | Title: Oh, Henry! allusions of grandeur | 4/23/1999 | See Source »

When my family and I went to see Tommy five years ago, we--mother, siblings, aunts, uncles, cousins, grandparents-all entered the theater mad as hell at each other, for various reasons. We watched a musical about a child who witnesses a murder, is driven to blindness and muteness by his parents' hysteria, is molested by his uncle, becomes a pinball god, turns into a rock star and finally becomes a normal and forgiving person. The costumes and lights whirled before us with delirious madness. The volume was through the roof. And at the end of the show...

Author: By Sarah A. Rodriguez, CRIMSON STAFF WRITER | Title: Who? Rock 'N Roll Dreams Come True in Tommy | 4/23/1999 | See Source »

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