Word: madwoman
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Tanner bottles his bestselling fizz under polypseudonymous labels. As Patrick Dennis he created the madwoman of Beekman Place, Auntie Mame. As Virginia Rowans he examined The Loving Couple and its five-year itch. Again as Dennis, he wrote (with Barbara Hooton) Guestward Ho!, the saddle-slipping saga of a Manhattan couple turned dude-ranch managers. On the assumption that the public is now hopelessly Tanner-Dennis-Rowans-addicted, his publishers are currently offering two seasonal pick-me-ups, one a reissue entitled House Party (originally published in 1954) and the other a collaboration with Dorothy (The Crystal Boat) Erskine called...
...Auntie Mame is really no play at all. For it will go fast and far on the inherent appeal of its chief character and the tremendous vivacity and skill of the gal who plays her. Everybody enjoys a lovable lunatic, and Rosalind Russell is a delight as the kindhearted madwoman of Beekman Place, bringing up her small nephew in a world of sidecars for breakfast, living herself in sumptuous dishabille, now marrying, now dispensing with marriage, now rescuing her nephew from a stuffy brand...
...France's Allies were delighted. Here was a Socialist who had strongly supported EDC, staunchly resisted popular-front talk, and was given to saying things like "The American people must know that we love them." The son of an army officer and stepson of playwright Jean (The Madwoman of Chaillot] Giraudoux, Pineau had jumped from a promising banking career into the Socialist labor movement after the Bank of France fired him for trying to unionize its employees. With the fall of France in 1940, this soft-looking ex-banker became one of the organizers of the resistance. Twice arrested...
...Pierre Mendès-France, Mollet settled on a Cabinet, giving Mendès the job of Deputy Premier without portfolio (instead of Foreign Minister, which Mendes desired). For Foreign Minister he reached instead into his own party for Good European Christian Pineau. 51, stepson of Playwright Jean (The Madwoman of Chaillot) Giraudoux and himself an author of children's fairy stories. Mollet spurned the Communist support proffered ("Let no one think that I'm the man to prepare the future of Popular Front . . . I will never lead my party to suicide"), but seemed fated...
...theory, the famed La Motte Fouque romance should suit the author of The Madwoman of Challlot to perfection. Giraudoux could delicately regild the tale of a sprite who loved and wed and herself became a mortal, only to return from a dismaying world to the deep, her knightly husband dead of her farewell kiss. Giraudoux could savor its melancholy turns and bitter twists, its clash between innocence and worldliness, its sense of mankind's dreams of perfection and descent into reality. And Giraudoux's own resolute but compassionate worldliness does touch Ondine with glints and flecks of gold...