Word: maestro
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Dates: during 1940-1949
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...Maestro Arturo Toscanini, already heavy with honors, garnered a new one. After an NBC Symphony rehearsal, an amateur photographer caught him beaming and being congratulated by onetime Heavyweight Champion Primo ("Old Satchelfoot") Carnera, now a prosperous wrestler. It developed that they are mutual admirers...
...prepared another job for him. Victor de Sabata has been filling Toscanini's shoes at La Scala ever since. Some Italian critics, in fact, rate him above Toscanini as a conductor, an excess of praise which De Sabata doesn't seek. He still refers to Toscanini as "Maestro" and means it literally. He was pleased pink last summer when Toscanini told him that La Scala's orchestra and chorus "sounds better than when I left...
...Olympics, Maestro Mariles was easily the best horseman of the prize-winning Mexicans. In Manhattan last week, he won the West Point Challenge Trophy on his pet 18-year-old jumper, Resorte. He rode a horse like a champion -without seeming to work at it. The big secret of Mexican riding is controlling the horse's movements almost entirely through the rider's legs-not his hands. Says Mariles: "The motor of the horse is in back, not in front. A horse is not an automobile; you don't drive him by his nose...
Rarely had the men of the NBC Symphony seen their little Maestro in such high humor and fine fettle. Pink-cheeked and glowing after his vacation in Italy, the terrible-tempered 81-year-old had kind words or a joke for everyone at rehearsal. The Maestro had his one inevitable flare-up of the day, this time over the absence without leave of a couple of trumpeters. The guest pianist watched the little tantrum, then, turning towards his wife and friends in the studio, wigwagged his eyebrows and giggled. For the soloist was a man who calls Toscanini "Maestro...
...been three years since Pianist Vladimir Horowitz had played in public with father-in-law Arturo Toscanini. But they had played the work together before, and recorded it together-Brahms's mighty Piano Concerto No. 2. This time, at the end of the rehearsal, the Maestro had only one suggestion for "Volodya": Toscanini trotted to the piano, plunked out a passage while Soloist Horowitz, standing by and towering over him, listened carefully and respectfully. They agreed to leave out one retard...