Word: maestro
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...summer pasture last week, and frisky as a yearling. His costume-grey flannel trousers, blue flannel jacket, white wool beret and white shoes-made him look like a jaunty boulevardier at the beach. Visitors to Tanglewood, Dr. Koussevitzky's music colony near Lenox, Mass., try to compliment the maestro by calling it "an American Salzburg...
...Maestro Koussevitzky thinks it no compliment. He bangs an angry, sunburned fist down on his piano. "Why a Salzburg?" he snaps. "Let's have courage to say it. In early stages Salzburg was ideal place-now it is the most commercialized thing you can imagine. Most people who come to Salzburg are snobs who come to say they have been in Salzburg. They must rehearse too quick, in a week, maybe less. Why not a Tanglewood, U.S.A.? We play here something that is more perfect than ever a performance in Salzburg. To make great art great artists have...
...Italy was faring at the hands of the Big Four, huffily canceled his dates in Paris and London in protest ("I personally am not in a state of mind to conduct [because of my] sadness for unjust political decisions."). Suddenly the city of Lucerne got word that the Maestro was willing to play two concerts there-the first one five days from date. Toscanini had a sentimental memory of Lucerne: it was the city where he had conducted the night before war was declared in 1939. But sentiment had a rider. Toscanini wanted a guarantee of 90,000 francs...
Married. Sonya Stokowski, 24,* actress daughter of Maestro Leopold Stokowski and his first wife, Pianist Olga Samaroff Stokowski; and Flight Lieut. Willem Thorbecke, 24, Royal Netherlands Air Force pilot who flew with the R.A.F., son of The Netherlands prewar minister to China; both for the first time; in Manhattan...
When Toscanini entered rebuilt La Scala for the first time, he clapped his hands from the center of the stage, and an echo came loudly from the rebuilt dome. "Yes," the maestro said, "it is the same." The no-piece orchestra was not quite the same at first; Toscanini drilled them firmly, but with none of his usual wrathful outbursts. On opening night they played as they had not for years. Toscanini had chosen an all-Italian program (Rossini, Verdi, Puccini) of the kind of kettledrum-banging bravado that he likes. When he played Verdi's Te Deum...