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Word: maestro (lookup in dictionary) (lookup stats)
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Greek-born Dimitri Mitropoulos, maestro of the Minneapolis Symphony Orchestra, familiarized himself with the instruments of a Red Cross mobile blood-collecting unit. Touring Minnesota with the unit between concerts, he sometimes doffed the rubber gloves of an orderly to draw crowds with his piano playing-both long-hair and boogie-woogie...

Author: /time Magazine | Title: People: People, Jul. 12, 1943 | 7/12/1943 | See Source »

Died. Albert Stoessel, 48, violinist, conductor, composer; of a heart attack while conducting; in Manhattan. He was also a distinguished teacher, in 1921 succeeded Walter Damrosch as maestro of New York's Oratorio Society, wrote an American opera (Garrick), was a guest conductor of the New York Philharmonic and the Boston Symphony...

Author: /time Magazine | Title: Milestones, May 24, 1943 | 5/24/1943 | See Source »

...role of the telegraph boy, Mickey Rooney turns in a performance amazingly better than any of his recent drooling. Jack Jenkins steals several scenes from old maestro Rooney as precocious Ulysses, and the other players, especially Frank Morgan (in a role which is becoming a wee bit stereotyped for him) are very adequate...

Author: By I. M. H., | Title: MOVIEGOER | 5/10/1943 | See Source »

...clinking of glasses are music to many cars, but many like to combine these pleasant sounds with the sweet strains of a fine orchestra. Sunday night, May 23rd, is Officers' night at "Pops," a concert of popular and semi-classical music by the Boston Symphony Orchestra, led by Maestro Arthur Fielder. The whole gang will be there to sip, relax, and listen; so be sure to see Mrs. Duncan in Craft, Room 324, to reserve a table with your friends...

Author: NO WRITER ATTRIBUTED | Title: Electronics School | 5/7/1943 | See Source »

...part, he is a very acute critic, perhaps the most acute, but he has an uncanny nose for the unpopular attitude. When Toscanini was at the height of his glory and powers back in '36, Haggin thought he was a pedantic Italian opera hack, but now that the aging maestro has very obviously lost his spark, Haggin is daily discovering new wonders of poetic sensitivity and insight in his tired performances. He waited two months after the performance of Shostakovitch's fan-fared Seventh to turn out one of the most magnificently scathing reviews in the history of American criticism...

Author: By Robert W. Flint, | Title: THE MUSIC BOX | 1/18/1943 | See Source »

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