Word: maestro
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Early one evening a lean, white-haired man of great dignity was led by three bowing captains to a table in Manhattan's noisy Cotton Club. He watched Tap-Dancer Bill Robinson perform, listened with interest to the music of Cab Galloway. As he left, Maestro Arturo Toscanini said he had had a fine time...
...years ago, at a Philharmonic- Symphony concert in Manhattan's Carnegie Hall, Arturo Toscanini introduced to the U. S. an unpretentious composition by a celebrated French composer. The piece was called Bolero. Performed previously in Paris, it was not considered one of its composer's masterpieces, and Maestro Toscanini had programmed it inconspicuously as an hors d'oeuvre to solider stuff. To the surprise of conductor and orchestra. the staid audience stomped, clapped and howled its approval. Within the next three years approximately 500 performances of the work were given by U. S. symphony orchestras, thousands more...
...symphony conductors cost so much? If it comes to that, why is a conductor? These questions may well have been pondered by R. C. A. stockholders last January when their pudgy President David Sarnoff sent envoys to Milan to induce Maestro Arturo Toscanini to conduct ten broadcasts with the projected NBC Symphony Orchestra (TIME, Feb. 15). Conductor Toscanini asked and got a contract for $4,000 per broadcast, probably the highest price ever paid a conductor. At the behest of plump, practical Signora Toscanini, it was also stipulated that NBC should buy the Maestro a round-trip ticket from Italy...
...people who buy tickets to listen to them; the best jazz is made up on the spur of the moment, belongs in the jam session or the dance hall. Last week in Philadelphia's mid-Victorian Academy of Music, members of the Philadelphia Orchestra, under platinum-blond Maestro Leopold Stokowski, jiggled and swayed, did their best to lose their educated musician's sense of discipline, tried embarrassingly to get hot. The result was pretty tepid, but not their fault. William Grant Still, Negro composer of the Afro-American Symphony, had asked for it by writing a new Symphony...
...Composer William L. Dawson, who conducts the Tuskegee Choir, and whose Negro Folk Symphony No. 1 was performed by the Philadelphia Orchestra under Conductor Stokowski three years ago; Otto Cesana, onetime staff composer at Manhattan's Radio City, whose two jazz-inspired symphonies have been broadcast by Radio Maestro Erno Rapee; 23-year-old Radio Arranger Morton Gould, whose Swing Symphonette is scheduled for performance later this season...