Word: maestro
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...that the organization of the event left something to be desired. Take the case of Simon Tookoome, the Northwest Territories' leading ipirautaqturniq (precision whip flicking) virtuoso. Not only did Too-koome have no competition in his specialty, but the games committee was not even certain that another whip maestro had been invited. For his part, Tookoome left his sealskin whip at home in Baker Lake. But resourcefulness, as much as ipirautaqturniq, is the name of the game. Improvising a whip from a length of rope, Tookoome put on a crackling display highlighted by the extraction of a toothpick from...
...Long live the clown! He conducts a symphony with perfection of tempo, theme variation and delicate shading of tone. Laughter is music. Play on, Maestro Flip! Play your tunes, play your roles, and play to the children...
...Once upon a time," says Japanese Conductor Seiji Ozawa, "nearly every major orchestra was a dedicated maestro's proudest castle. It no longer is." Where one castle used to suffice for a Toscanini or a Koussevitsky, now only two-or more-will do. Pierre Boulez now jets between the New York Philharmonic and London's BBC Symphony, Georg Solti between the Chicago Symphony and Orchestre de Paris, Zubin Mehta between the Los Angeles and Israel Philharmonics, Lorin Maazel between London's New Philharmonia and the Berlin Radio Orchestra; Maazel will also conduct the Cleveland Orchestra beginning next...
Yandell and Vandervane are two professionals, although the maestro's greatest skill is in provoking disapproval while thoroughly enjoying himself. His latest enthusiasms combine an old appetite for philandering with a sweet tooth for the styles of the young. Long hair, mod clothes, of course. But there is also his composition Elevations 9, a chamber concerto for violin, sitar, bass guitar and bongos, and his affair with an ob noxiously ill-tempered girl named Sylvia. Despite the novel's rather straight forward title, she turns out to be only...
...would be pleasant to report that all rumors of the maestro's decline are greatly exaggerated. But they are not. No 20th century artist - not even Dali - went down so fast. The homage at the Cultural Center is a lugubrious affair, but an interesting one nevertheless; for it records in great detail how one gifted painter went backward under pressure, like an irritated crab, into a historical impasse - and has stuck there ever since, snapping his crusty pincers at every stir in the water...