Word: maestro
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...become almost as much a fixture in the capital as the Washington Monument. But his term in the $42,500-a-year job ends on Jan. 31, and by law he cannot be reappointed. Last week President Nixon announced his choice as successor to Democrat Martin. The new economic maestro is Arthur Frank Burns, 65, a self-described "moderate Republican," a longtime close aide of Nixon, and a stubborn anti-inflationist. For at least the next four years, the nation's money and credit policies will bear his stamp...
This is familiar Fellini territory, but the maestro has added a few more flamboyant turns of the screw. His camera swoops through the Rome airport during Toby's arrival, catching glimpses of bizarre travelers bathed in demonic orange light, their bodies contorted into poses that are parodies of reality. Indeed, there is almost too much in Never for a short film. Fellini's sometimes prodigal genius threatens to overwhelm the story, which he apparently agreed to do only on the advice of his astrologer. But even to such journeyman projects, Fellini brings the kind of stylistic prestidigitation that...
...says La Scala's Co-Artistic Director Bindo Missiroli, has all "the nobility of an epic religious poem." Schippers himself regards The Siege of Corinth as "the most inventive opera Rossini ever wrote." Hard-to-please Milanese opera buffs are paying the ultimate compliment to the Michigan-born maestro: they say that it is really the work of a new composer named Rossini-Schippers...
EXPERIMENT IN TELEVISION (NBC, 10-11 p.m.). A subway passing ancient Roman ruins, a hippie wedding on an abandoned movie set, sinister characters at the Colosseum at night seem standard elements for a Federico Fellini movie. This time, though, it's "Fellini: A Director's Notebook," the maestro's first attempt at TV. Fellini not only directs but is the subject, aided by his actress-wife Giulietta Masina and Marcello Mastroianni...
...soprano. Austria's Herbert von Karajan has no superior as a conductor of the Ring cycle. Alas, two great melodies do not always pro duce a single pleasing harmony. Ever since she began singing under his demanding baton, Miss Nilsson's relation ship with the Salzburg-born maestro has become increasingly sour. Among other things, she has been irked by his insistence on unusually time-consuming rehearsals and is not too keen about his dark, brooding lighting effects, which often keep the singers in the shadows. "I could walk out for coffee sometimes," Miss Nilsson once complained...