Word: maeterlinsk
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Dates: during 1969-1969
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...grafted onto drama or drama is used as suggestion for musical contours, but rather where music and poetry are absorbed one into the other to yield an operatic metier of innocence and foreboding disciplined by a sensibility whch treats the quietness of horror and not its gaudiness. Maeterlinsk's play expresses desolation which knows not its own emptiness, the psychology of inexpressible terrors and inexplicable sickness, or as the revenging husband Golaud says, "We cannot see the other side of fate nor the sins of our own." Maeterlinck portrays these largely lifeless souls consumed by irresistible fate with his personal...
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