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Parents' occupation and family background determine whether a student is working-class, Magali Rivera '84 said yesterday...

Author: NO WRITER ATTRIBUTED | Title: Working-Class Students | 10/28/1981 | See Source »

Never Real. Fellini long ago left realism behind him to strike a tone of controlled fancy. Much of Amarcord is altered reality-memory heightened and changed by distance and by imagination. Everything is recognizable but never quite real. Of the large cast, only the actress Magali Noel, who appeared in La Dolce Vita and 8½ is familiar. The other performers were recruited according to the recent Fellini tradition: because the director liked their faces. He worries about performance later, frequently even giving them other voices, dubbed in once he has finished shooting. Whoever his actors are, and whatever tricks...

Author: /time Magazine | Title: Cinema: Fellini Remembers | 10/7/1974 | See Source »

...meets a fine assortment of homosexuals, lesbians, junkies, pushers, and the like, all engaged in providing the Paris populace with various forms of habit-forming goodies. The movie is filled with excellent scenes in Paris sub-cellars and dimly lit alleys, and the sex interest is provided by Magali Noel. In all, Razzia is one that can't be missed, and along with Inspector Maigret should provide excellent relief from exams and Westerns...

Author: By Frederick W. Byron jr., | Title: Inspector Maigret | 1/19/1959 | See Source »

Upon arriving at "Goat Island," Angelo finds his friend's wife, younger sister, and only child, a blossoming girl of about fifteen. The sister, Pia, played by Magali Noel, is bored by farm life and wants excitement. Immediately upon Angelo's arrival she sets her sights on him and goes efficiently about the task of seducing him. Being an obliging sort, Angelo is quick to relieve Pia's boredom, and only five minutes after his arrival he is embracing her. She resists, playfully...

Author: By Frederick W. Byron jr., | Title: Passionate Summer | 10/23/1957 | See Source »

...virtually impersonal bodily function, and he is delighted to find himself in the presence of three attractive targets: Agatha (Madeleine Robinson), the young widow of Angelo's best friend in a prisoner of war camp; her burgeoning teenage daughter Sylvia (Dany Carrel); her sulky sister-in-law Pia (Magali Noël), a sensuous charmer with a body like molded quicksand. Angelo is not thinking of farm labors when he eyes the ladies tauntingly and husks: "You don't have a man?" Perceiving that this will doubtless blossom into an intimate family affair, he also assures them...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 12, 1957 | 8/12/1957 | See Source »

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