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...project, The Crimson has worked with companies in Virginia and Massachusetts who in turn employ workers in India and Cambodia to type articles from every issue of the paper since it began as The Harvard Magenta...

Author: By Garrett M. Graff, CRIMSON STAFF WRITER | Title: Crimson To Launch 128 Year Archive | 7/27/2001 | See Source »

...into an off-center waltz (complete with a wheezing accordion on the oom-pahs), and a chorus starts to sing the words painted on the curtain, which flies open to reveal a dozen dancers in Spanish costumes prancing merrily in front of a backdrop that is an explosion of magenta and yellow. Hold on to your ticket stub: Mark Morris' joyous dance version of Four Saints in Three Acts, the surrealist opera by Gertrude Stein and Virgil Thomson, is off and galloping...

Author: /time Magazine | Title: Dance: A Bad Boy Comes of Age | 4/2/2001 | See Source »

...American icon since the 1870s. And goodness knows there's no harm in innovation. I just hope the new ketchup doesn't pave the way for a landslide of increasingly dramatic reincarnations in the condiment market - or we could all spend the foreseeable future nibbling on sandwiches spread with magenta peanut butter and platinum-hued...

Author: /time Magazine | Title: Green Ketchup? Please, I'm Trying to Eat Here | 7/10/2000 | See Source »

...because of the uniquely interactive tone of the bathroom dialogues that women find these scrawlings so attractive. For many, conversations between magenta and black ballpoint writings on the bathroom wall fill a void that pervades their daily existence. As one writer who described herself as a "high school girl" wrote aptly, "Thank you so much for this wall, it's nice to know that in a world that often makes me feel secluded, there are people out there I can talk...

Author: By A.c. Marek, | Title: Fifteen Minutes: Notes from the Underground | 2/17/2000 | See Source »

...Mexico studio. In Dogs Killing Rabbit (1991-92), two dogs rip apart a rabbit as the dislocated outlines of human faces look on in horror. Four horse legs, familiar imagery to Rothenberg followers, loom above. The violence of the scene is captured in the hot, thrashing colors: the magenta of the horse's hooves, the reds and browns of the bloody bunny. The presence of the human heads in the upper right corner draws the viewer into an active engagement with the painting: as you observe the heads observing the fight, you become aware of your own role...

Author: By Sarah Rotman, CONTRIBUTING WRITER | Title: Blood and Guts: Susan Rothenberg's New Work | 12/17/1999 | See Source »

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