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Word: magical (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

CELEBRATION. Tom Jones and Harvey Schmidt, co-creators of The Fantasticks, pit a handsome blond Orphan and a crestfallen Angel against the bored and impotent Mr. Rich. The show is a charmer for sophisticates who have never quite forsaken the magic realm of childhood...

Author: /time Magazine | Title: Television: Mar. 14, 1969 | 3/14/1969 | See Source »

...cold princess and her hapless suitors. Against these semi-tableaux, there was a flurry of action provided by the counterpoint clowning of Ping, Pang and Pong. One of Merrill's finest productions, Strauss' Die Frau ohne Schatten, was mounted as a fantasy; it captured the magic of the evil nurse, the semi-spirit world of the empress and the human world of the dyer...

Author: /time Magazine | Title: Music: Opera's Tightrope Walker | 3/14/1969 | See Source »

CELEBRATION, by Tom Jones and Harvey Schmidt, the co-creators of The Fantasticks, has a handsome blond Orphan and a crestfallen Angel pitted against the bored and impotent Mr. Rich. It is a charmer for sophisticates who have never quite forsaken the magic realm of childhood...

Author: /time Magazine | Title: Television: Mar. 7, 1969 | 3/7/1969 | See Source »

Early American silver, though generally not up to European standards in workmanship and design, also sells for giddy prices. The magic name is Paul Revere, even though myth-shattering experts agree that Revere was no better than other Boston silversmiths of his day. A three-piece Revere tea set was sold for $70,000 last year, up from about the $30,000 it was traded for only five years earlier. Says Kevin Tierney, 26, the sharp-eyed Irish appraiser that Manhattan's Parke-Bernet Galleries imported a year ago to smarten up its silver department...

Author: /time Magazine | Title: Art: New Values for Old Silver | 3/7/1969 | See Source »

...magic of the documentary is that it depends on something most films try to avoid--detachment. It sustains a tension between involvement and detachment which is very much like the normal tension of our lives. In life there are events and detached observations, actors and analyzers. The difference between talking and acting is more subtle than it seems. Comment, the willed use of the mind, demands distance--the commentator toys with his own responses and tries to isolate consciousness from living. This hurts very often because it is unnatural; you have to learn how to do it. And, by definition...

Author: By Jim Frosch, | Title: In the Year of the Pig | 3/7/1969 | See Source »

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