Word: magically
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Dates: during 1990-1999
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...which combined orlistat usage with a modified diet, showed only extremely modest weight loss. Participants who received the drug lost an average of only six and a half pounds more than those who took placebos; however, they did have better luck keeping the weight off. "It's not the magic bullet," says TIME health columnist Christine Gorman. "But literally every pound counts in terms of cholesterol and other health risks. Regaining only 35 percent of their lost weight is significant because regaining is so discouraging." And this drug is only for the morbidly obese, not the legions who want...
...pass on to the next generation, they can opt for a remarkable procedure called pre-implantation genetic diagnosis (PGD). It starts with standard in-vitro fertilization, in which sperm from the father are mixed with eggs collected from the mother in a Petri dish. Then comes the genetic magic...
...restraint. A popular technique of the period was trois cmyons, the use of black, red and white chalks. Black chalk and pastels were used in Head of Potiphar's Wife to create a drawing that anyone could mistake for a painting. Red and black chalk work their magic in Young Woman Holding a Cornucopia; the folds of her robe are so well defined, yet shadowed at the same time, that one must wonder whether the work is a drawing or a three-dimensional relief--it is real enough to touch...
...finest, ma'am. And in the realm of CINEMA, that means TOM HANKS, who follows up his Mark McGwire performance in Saving Private Ryan with a Sammy Sosa for the holidays. In TELEVISION, it means a goodbye from the nation's most beloved faux talk-show host. (Sorry, Magic.) In DESIGN, a cool house by Koolhaus. In MUSIC, a magical, defiant album by the woman formerly known as a Fugee. In THEATER, an angry drama from a member of the latest generation of angry young men. In BOOKS, a novel that floats like a butterfly and stings like...
...MAGIC FIRE In Peron's Argentina, a family of refugees from Hitler's Europe is jolted into a realization that history may be repeating itself. Lillian Garrett-Groag's play, staged at Washington's Kennedy Center by the Oregon Shakespeare Festival, combines warm family comedy and savvy political melodrama with rare skill...