Word: magics
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...Fund, capital flow and political considerations in encouraging third-world growth in his speeches today and tomorrow. But he noted that industrialized nations must take a “tough-minded” approach to developing countries and realize that no “small changes in policy or magic bullets would make a huge difference...
...Lush gardens and strategically placed lights conjure a touch of Ali Babaesque magic at night, especially with bright clumps of stars shining in the sparsely populated region's clear skies. Guest quarters?individual villas or smaller rooms in the pavilion, each with a seaside veranda?are spread along a mile of beachfront; even when the beach is crowded guests have a sense of privacy. If you're tempted to simply sink into the natural surroundings, no one will blame you. If you want to plunge into them, however, take the resort's boat to the uninhabited islands nearby for some...
...program concluded with a fascinating opera entitled Dr. Magic, the only libretto not written by an undergraduate, performed as an oratorio with minimal stage movement. The premise of Dr. Magic, written by Joyce Carol Oates with music by composer Carson P. Cooman ’04, derives directly from the hero of the title, a crafty magician. Dr. Magic invites a couple to the stage as volunteers and his interaction and experimentation on them scratch the seemingly ideal surface of their lives together...
Although all three operas occupy little over an hour, they are each a complete masterpiece. Each has an interesting original concept which is superbly executed, the most remarkable of which is Dr. Magic. It is truly amazing and valuable that operas by such talented composers can be seen right here in an intimate, untarnished atmosphere...
...brand new, world-premiere operas, composed and written by Harvard students. In this fourth year of the dramatic project, entitled “VI-4,” students will perform four short chamber operas, accompanied by chamber ensemble. The operas include the psychological drama “Dr. Magic,” with music by Carson P. Cooman ’04 and “Strapped,” with music by Matthew T. O’Malley ’04 and a libretto by Anthony Gabriele ’03. Through Sunday, April...