Word: magics
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...1990s, when I started out at a computer magazine. What made the Inventions project fun was that we could focus purely on great ideas without worrying whether they would be successful in the marketplace. For example, I love the virtual keyboard designed by VKB. Typing on it was like magic because the keyboard is an optical illusion. Will it ever get to market? Who knows? It's still a great idea...
...they weren't warned. Walter Bagehot, the great 19th century hack, once said: "Above all things our royalty is to be reverenced, and if you begin to poke about it you cannot reverence it ... Its mystery is its life. We must not let in daylight upon magic." But it is not for the crime of ignoring such advice that the Palace and its advisers stand indicted; it is because they have so fundamentally misunderstood the nature of modern British society, where celebrities are knocked down as fast as they are built up. I'm not surprised. Seventeen years...
When the first installment, The Sorcerer’s Stone was translated to film, it was decidedly not aimed at magic folk. Director Chris Columbus was charged with the onerous responsibility of introducing Rowling’s magical world and weaving in a plot involving the return of the evil Lord Volemort. In cramming in both necessary elements, the film felt like an animated stick figure, a conglomeration of bare bones allusions to the novel’s major dramatic moments that did not satisfactorily flesh out details. The production design, while otherwise superb, nearly crumbled under the weight...
With its sinister plot and dark magic undertones, Chamber is frequently a much darker concoction than the frothy, lighter-than-air stuff that was its predecessor. Murderous voices emanate from walls, legions of spiders scuttle through broken window panes and epithets scrawled in blood appear on hallway walls, foretelling imminent doom to students. This evil takes a more palpable form in the guise of Lucius Malfoy (Jason Isaacs), Draco’s father, a pale, embodiment of evil who drips with malevolence. He is but one example of the pitch-perfect casting and superbly restrained performances delivered by the supporting...
With its sinister plot and dark magic undertones, Chamber is frequently a much darker concoction than the frothy, lighter-than-air stuff that was its predecessor. Murderous voices emanate from walls, legions of spiders scuttle through broken window panes and epithets scrawled in blood appear on hallway walls, foretelling imminent doom to students. This evil takes a more palpable form in the guise of Lucius Malfoy (Jason Isaacs), Draco’s father, a pale, embodiment of evil who drips with malevolence. He is but one example of the pitch-perfect casting and superbly restrained performances delivered by the supporting...