Word: magnani
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...death, this comic muralist had left the fullest scrapbook of a century dominated by entertainment. He drew, and drew out the spirit of, thousands of celebrities from high art (Toscanini, Natalia Makarova) and popular art (Anna Magnani, Natalie Wood). Through his pen, inanity became animate, and the captious craft of caricature was raised to character study...
...starring in "Hercules." And in third place: Gina Lollobrigida, one of an imposing group of Italian actresses to star in Hollywood as well as Italian movies. The list is long and enticing: Valentina Cortese, who made the 40s "Thieves Highway"; delicate Pier Angeli and her twin sister Marisa Pavan; Magnani, who won an Oscar for her first Hollywood movie, "The Rose Tattoo"; and the ever-intoxicating Valli (Hitchcock's "The Paradine Case...
...Loren has a cameo in "My Voyage to Italy": an excerpt from "Gold of Naples." For four vertiginous hours, women glamorize this compilation film, as they do Italian (and every other) cinema. "Voyage" begins with Magnani's death in "Open City" and ends with Cardinale's seraphic smile in "8-1/2." Bergman is at the center of the Rossellini segment, as Vitti is of the Antonioni. The emotional peak of the whole opus is an 18-min. pr?cis of "Senso," whose ravishments are incarnated by Valli's gift for reckless passion glowing through a steely sheath. The most poignant...
Bankers justify the charges by noting that most banks provide ATMs free to their own customers and thus must find some other way to recover the cost of deploying the machines. "In San Francisco," says Bank of America spokesman Peter Magnani, "there is no charge 80% of the time when someone puts a card in a B. of A. machine." Moreover, he says, the cost of the transaction is just a small part of the bank's expenses, which include purchasing, installing and maintaining the machines as well as paying rent at nonbank locations. "Banks are being singled...
Eastwood behaves; Streep acts. He relaxes into a role; she wills herself into it, like a woman determined to make a dress two sizes too small look stunning on her. This time she tries on a southern Italian accent, with the weary, knowing lilt of an Anna Magnani. Soon she is Francesca -- or some rarefied version of her -- aching but not expecting to find someone who can tap her gift for love. Before she commits to the affair, you understand her tension, her indecision. In a medley of bold and subtle gestures, Streep tells Francesca's plaintive story. Through...