Word: magnificos
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...Lara M. Hirner ’04, whose clear voice floats effortlessly, not to mention accurately, from low note to high note—and hits every emotional note in between. Patrick J. Bradley ’05 makes a lanky, pompous and more humorous than realistic stepfather Don Magnifico, while a hilariously flamboyant Oussama Zahr ’04 plays Dandini, the Prince’s valet—or “Prince-for-a-day,” as he calls himself. The two stepsisters (Allison C. Smith ’06 and Fidelma-Leonor Cobas...
...characteristically nuanced Sangiovese is undoubtedly best articulated after emerging from the sophisticated terra cotta of Tuscany. The Italians have had 600 years to engineer and fashion Il Magnifico Chianti into what one might call a powerful expression of grace. Wine producers in California and Washington try in vain to emulate Chianti’s complex personality of dusty oak with subtle, sweet hints of cherry and violet. They rarely measure...
...phone conversation with Dozier: "He sounded as if he'd just gone down to the corner for five minutes." Defense Secretary Caspar Weinberger received a call from his Italian counterpart, Lelio Lagorio, who speaks little English. Weinberger, who speaks little Italian, broke the language barrier with an exultant "Magnifico!" Answered Lagorio happily: "Si! Si!" In Dozier's home town, Arcadia, Fla., (pop. 6,047), townspeople draped century-old oaks with yellow ribbons and declared a day of celebration in honor of their native...
...first problem in describing Paul Mellon's role as patron is to draw comparisons. "Medicean" is the cliché for large acts of art patronage. This myth dies hard: started by the ruthless city-boss Lorenzo Il magnifico himself, prolonged by his sons, nourished by poets, flacks and hero-seeking historians from Poliziano to Jakob Burckhardt, it seems ineradicable, like kudzu. In fact, Lorenzo de Medici was not a remarkable art patron; he preferred jewelry, knickknacks, antiques and rare manuscripts to either painting or contemporary sculpture. The idea of disinterested art patronage in the service of some imagined "public...
Watching Scofield slip effortlessly from dying Volpone to robustious Fox is as fascinating as the unfolding of his intricate schemes. One minute he is the Venetian magnifico, reveling in his gold and his audacity and boasting that even "the Turk is not more sensual in his pleasures than Volpone." The next he is an old man of faltering soprano. "Oh," he says, "I am sailing to my port and I am glad I am so near my haven...