Word: magnolias
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...true. While my angst-ridden first-born personality kept me in check while I was in high school, once I left for college, I engaged in a few games of quarters. And I spent one woeful Sunday morning outside my freshman dorm communing with the roots of a magnolia tree. Without delving into any of the grisly specifics, let?s just say that poor tree saw me at my very worst...
...Indian in her nigger"--and sometimes poetic: "Mothers grow flaccid, rich in babylove, each baby taking some of the mother's beauty as if the baby knows it needs to protect its babyself by making Mama less kiss-daddy pretty." Why shouldn't the loyal slaves enshrined in the magnolia myth of GWTW, novel and film, be given their say? "Alice Randall has an absolute right to criticize Gone With the Wind," says Martin Garbus, the Mitchell estate lawyer. "But she can't do what she has done, namely take 15 characters and basically recycle the material...
Congratulations, Julianne Moore. When the Sundance Film Festival kicks off next week, she will be honored at the Tribute to Independent Vision. We wouldn't begrudge the star of Boogie Nights and Magnolia a thing, but she'd better watch her back in the parking lot. For this year there will be another star on the slopes of Park City, Utah, who will no doubt consider herself worthy of the kudos. She's the fearless, delusional transsexual heroine of the rock musical Hedwig and the Angry Inch, and the fact that this unlikely entry has made it into the Dramatic...
...Aimee Mann, "Bachelor No. 2, or the Last Remains of the Dodo" Gorgeous hooks and bittersweet attitude to spare. Nothing involving the marriage of melody and lyrics (the basis for songs, last I checked) beat "Red Vines" in these ears this year. Throw in the Oscar nomination for "Magnolia" (inexplicably defeated by the odious Phil Collins entry), a tour with hubby Michael Penn and a worthwhile best-of collection including highlights from her 'Til Tues-days, and it was a banner year for the prickly princess...
...good albums (Groove Armada's Vertigo, David Holmes' Bow Down to the Exit Sign) in what is generally a singles-driven culture. As for pop-well, some records were set by various assortments of platinum-bleached boy and girl wonders. But Aimee Mann's work on the Magnolia soundtrack was impressive, and despite the fun I poked at her, I'll say that Madonna's Music is really an infectious album...