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...smoking section of the McDonald's in Kenosha, Wisconsin, when he noticed Dion Terres, 25. "I looked up and said, 'Oh, he's got a gun,' but I thought it wasn't real," says Hauptmann. Moments later, Terres yelled, "Everybody out of here!" and began shooting a .44-cal. Magnum pistol. As 10 panicked patrons dove for the exit door, Terres unloaded four shots. Two middle-aged customers were killed, and Hauptmann was shot in the right forearm. Terres turned the fourth bullet on himself, splattering his brain on the walls and ceiling...

Author: /time Magazine | Title: Danger in the Safety Zone | 8/23/1993 | See Source »

...surge in youth violence started in 1986, when gang members from Los Angeles moved eastward to colonize smaller cities. Now teenagers throughout the area try to match the firepower of the gang members. "If one kid brings a little .22-cal. pistol and the other has a .357 Magnum, then guess who has status," Roberts says. The gunplay spread quickly beyond the gangs. "For some reason this particular generation of kids has absolutely no value for human life," he says. "They don't know what it is to die or what it means to pull the trigger...

Author: /time Magazine | Title: A Boy and His Gun | 8/2/1993 | See Source »

Cover: Photograph by Patrick Zachmann -- Magnum Photos...

Author: /time Magazine | Title: Time Magazine Contents Page | 6/21/1993 | See Source »

...characters in a quieter, more reflective way. Nor were villains dispatched bloodily three years later in Honkytonk Man, a melancholy movie about a drunken musician in which Eastwood starred with his son Kyle. "I'd hate to look back on my portfolio someday and think, 'Well, I did 100 Magnum films and one car-wreck film," he said after Honkytonk Man was released. "I'd like to think that I had a broad career of various types of films and roles." Unfortunately, nobody out there but Eastwood was paying much attention. The film was a bomb...

Author: /time Magazine | Title: Go Ahead, Make My Career: CLINT EASTWOOD | 4/5/1993 | See Source »

THOUGH KNOWN AS THE SUPREME VIOLIN virtuoso whose personal eccentricities and wizardly playing combined to make him music's first superstar, Niccolo Paganini was also a superb guitarist. The instrument figured in all his published work during his lifetime except his magnum opus, the ferociously demanding 24 Caprices for solo violin. It seems just, then, that the guitar virtuoso ELIOT FISK has recorded his own transcriptions of the pieces (MusicMasters Classics). What amazes throughout is Fisk's ingenuity in finding the equivalents of, say, legato and ricocheted bowing on his plucked instrument, and his dexterity in executing them with such...

Author: /time Magazine | Title: Short Takes: Feb. 15, 1993 | 2/15/1993 | See Source »

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