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MUSIC | Boston Philharmonic, Mahler...

Author: By Crimson Staff, | Title: Listings, Oct. 10-16 | 10/10/2003 | See Source »

...Boston Philharmonic comes to Sanders Theatre to celebrate everyone’s favorite Bohemian Gustav Mahler with a retrospective. For those not familiar with our illustrious, bespectacled friend, commentary will be read before each piece, making sure the audience gets a full understanding of the genius they are lucky enough to witness. The concert hits all the right notes, featuring “Blumine,” “Songs of a Wayfarer” and “Symphony No. 1 (Titan).” Tickets $54, $42, $30, $15; $4 off for students/seniors. 7:30 p.m. Sanders...

Author: By Crimson Staff, | Title: Listings, Oct. 9-10, 2003 | 10/3/2003 | See Source »

...everywhere. Before long, Harding was plucked from university at 18 by Claudio Abbado, then chief conductor of the Berlin Philharmonic, who wanted Harding to assist him. He made his full debut with the Berliners at 21. Now living in France, Harding is about to lead his second band, the Mahler Chamber Orchestra. The key to avoiding crippling nerves, he says, is never to allow them through the door: "You just have to think that you're not saying you're the best musician in the room, just that you know how to do your job. You're not telling these...

Author: /time Magazine | Title: Roll Over Beethoven | 8/31/2003 | See Source »

DIED. LUCIANO BERIO, 77, experimental Italian composer; in Rome. Utilizing everything from electronic sounds to the spoken word, he created an innovative body of work that often divided critics. His 1968 Sinfonia, which he conducted for the New York Philharmonic, featured passages from Beckett and Joyce, musical quotations from Mahler and Stravinsky, student graffiti and the Swingle Singers to create what TIME praised as a "new kind of dramaturgy...

Author: /time Magazine | Title: Milestones Jun. 9, 2003 | 6/9/2003 | See Source »

...Swan Lake,” appalled me. Little did I then know that one day the Rolling Stones’ insistent strumming guitars would seem to echo my heartbeat, or that I would find as much poetry in Lou Reed’s tired voice as in a Mahler symphony. Since arriving at Harvard, and I now suppose throughout my life, music has provided a constancy and sincerity which elsewhere often remains elusive. Because of my classical training, I can’t just listen to music anymore. A good song provides me with a challenge as rewarding...

Author: By Rebecca M. Milzoff, CRIMSON STAFF WRITER | Title: Diary of a Music Addict | 2/27/2003 | See Source »

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