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...taken a demoralized, undermanned ensemble and turned it into an orchestra that plays better today than it did in its glory days under Erich Leinsdorf in the '50s. Zinman's strengths are a buoyant sense of rhythm and a flair for orchestral color, which make his Mahler performances hard-driving and vivid. Zinman is the oldest of the group, and his increasing musical maturity makes him a front runner for a top post. But, in the recesses of upstate New York, he may be marooned in what Leinsdorf once called a "completely unmarked dead...

Author: /time Magazine | Title: Music: Five for the Future | 4/19/1982 | See Source »

...founding of German Romantic opera in Weber's Der Freischütz, or the full flowering of the twelve-tone system with Schoenberg's Op. 25 Piano Suite. Endings, however, are more elusive. When precisely did the Baroque conclude? Did the symphony die with Brahms or Mahler, or is it still a vital form? These are moot questions...

Author: /time Magazine | Title: Music: The End of a World | 2/22/1982 | See Source »

...faith with Mann from the outset of his career." And where was he to find those foundations? In the lives of his colleagues and contemporaries, no matter how vulnerable they were; art was everything. Aschenbach, the enfeebled aesthete of Death in Venice (1913), for example, was modeled after Gustav Mahler, who was dying at the time. "Nothing is invented in [the story]," Mann boasted,as if the confession added to his stature as an artist...

Author: /time Magazine | Title: Books: Specific Gravity | 1/18/1982 | See Source »

...Mahler: Symphony No. 9 (Deutsche Grammophon, 2 LPs). Herbert von Karajan and the Berlin Philharmonic summon the otherworldliness of Mahler's last completed symphony...

Author: /time Magazine | Title: Music: Best of 1981: Music | 1/4/1982 | See Source »

...Gustav Mahler may be as unfamiliar to one chunk of the population as Blue Oyster Cult is to another, but practically everybody knows what beer weekends-were-made-for and which hamburger hawkers will do-it-all-for-you. In an age of increasingly fractionated audiences for radio and records, and of a dozen or so subdivisions just within rock, jingles selling products may be America's only truly popular, all-embracing music...

Author: /time Magazine | Title: Show Business: Mirror, Mirror, on the Tube | 8/17/1981 | See Source »

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