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...nine symphonies and the unfinished Tenth, several symphonic song cycles and numerous lieder came out of eclipse after World War II, nudged into the periphery of standard works in the early '60s, and now-played and appreciated as never before-are sparking a full-scale Mahler boom...

Author: /time Magazine | Title: Composers: The Man Who Speaks To a High-Strung Generation | 6/23/1967 | See Source »

After the première of Gustav Mahler's Third Symphony at the 1902 Krefeld Festival in Germany, one reviewer concluded that "the composer should be shot." The first Vienna performance of Mahler's Fourth drove the audience to such fury that fistfights broke out all over the concert hall. Conductor Hans von Bülow refused to perform Mahler's works because they were "much too strange." In the face of such hostility, Mahler remained stoic. "My time will come," he predicted...

Author: /time Magazine | Title: Composers: The Man Who Speaks To a High-Strung Generation | 6/23/1967 | See Source »

Where Murphy needed help was in assembling the sculpture. Actress Anna Bing Arnold (who performed in the 1930s under the stage name of Anna Kostant) contributed Anna Mahler's show-bizzy Tower of Masks for the entrance to Macgowan Hall. In 1964 the U.C.L.A. Arts Council and Regent Norton Simon bought Lipchitz' Song of the Vowels. The bulk of the collection came from the estate of David E. Bright, a Los Angeles industrialist who died in 1965. Bright left the Moore, a Hepworth, another Lipchitz, and two pieces that are far and away the most popular with...

Author: /time Magazine | Title: Sculpture: Beauty & Bongos | 6/16/1967 | See Source »

...orchestra sounds wonderfully clear and portentous, as though this were the last music to be played on the day of doom. Although Klemperer's playing time is actually shorter than Bernstein's, Angel chose to record the piece on three LP sides, filling the fourth with five Mahler songs...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Jun. 9, 1967 | 6/9/1967 | See Source »

COPLAND: TWELVE POEMS OF EMILY DICKINSON (CBS). Copland's song cycle deals with the same subjects as Mahler's Das Lied: love, death, nature. But there are no romantic mists to invite reverie in Dickinson's crystalline verses, and Copland's music shades from an impressionistic to a literal approach. Macabre chords open the song I Felt a Funeral in My Brain; a fast-rising whir of melody introduces the line "There came a Wind like a Bugle." Sung by Soprano Adele Addison with the composer at the piano...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Jun. 9, 1967 | 6/9/1967 | See Source »

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