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...beware, ye who would all be Pompeys if ye dared; for war is a wolf that may come to your own door." Like many great creative artists, Shaw could sense the course of world events some years ahead; he foresaw World War I and its wake, just as Mahler did in his symphonies at the same time...

Author: By Caldwell Titcomb, | Title: 'Caesar & Cleopatra' at Stratford | 8/6/1963 | See Source »

...Mahler: Symphony No. 2 (Elisabeth Schwarzkopf and Hilde Rössl-Majdan; Philharmonia Orchestra; Angel) is the highest expression of Mahler's fascination with "the life force," and in this bountiful recording, it seems fit music for Resurrection Day itself. Schwarzkopf sings beautifully. Two LPs, sung in German...

Author: /time Magazine | Title: Cinema: May 24, 1963 | 5/24/1963 | See Source »

Belaboring a program of music or a musical organization for contributing to cultural inertia is dangerous because so much depends on one's own center of gravity in musical history. If, for examble, one feels most at home anywhere between Palestrina and Mahler, then the programs of the Harvard-Radcliffe Orchestra this season were daring--chronologically, at least. They included works of Giannini, Kodaly, Hindemith, Bartok, Martin, and, on Friday's program, Charles Griffes and Alfredo Ginastera. But if one's scope extends to twentieth century musical ideas and materials, beyond mere rehashings of established techniques, then...

Author: By Joel E. Cohen, | Title: HRO Concerto Concert | 5/14/1963 | See Source »

...professional critics will no doubt call this work eclectic," said Leonard Bernstein, warming to one of his fireside chats from the podium of Manhattan's Philharmonic Hall. "Very well. Here are the elements you may find: certainly Schoenberg, Mahler, perhaps Bartok. This is the music of a very eclectic man, and you should hear the passion of Spain, the worldliness of Vienna, the German methodology, the English love of tradition." With that, New York Philharmonic Pianist Paul Jacobs sounded the first six notes of the tone row with a crashing force that introduced to the U.S. the haunting Symphony...

Author: /time Magazine | Title: Symphonies: Eclectic Hermit | 1/18/1963 | See Source »

...Mahler: Symphony No. 3 (Martha Lipton, mezzo-soprano; the New York Philharmonic, Leonard Bernstein conducting; Columbia, two LPs). A radiant reading by Bernstein of Mahler's mammoth, six-movement "musical poem...

Author: /time Magazine | Title: Time Listings: Jan. 4, 1963 | 1/4/1963 | See Source »

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