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Mahler: Symphony No. 3 (Nonesuch, 2 LPs; $5.96). Every Mahlerian worth his Knaben Wunderhorn knows the name and work of Kiev-born Conductor lascha Horenstein. Nearly two decades ago, Vox Records issued his performances of the Mahler First and Ninth, and they are still unsurpassed for their particular blend of pathos and playfulness. Recently, Horenstein, 73, has begun recording regularly again with the London Symphony Orchestra and has now produced a lofty version of Mahler's hymn to nature that is more than a match for the honored interpretations by Leonard Bernstein, Erich Leinsdorf and Rafael Kubelik...

Author: /time Magazine | Title: Music: Records: Summer's Choice | 8/30/1971 | See Source »

...official scorn in Russia; Shostakovich meekly labeled his next symphony "A Soviet Artist's Reply to Just Criticism." Now, in its first American recording, the Fourth is worth hearing mainly to find out what all the fuss was about. Whatever its polemic content may be, it sounds clumsily Mahlerian and full of papier-maché grandeur...

Author: /time Magazine | Title: Cinema: May 24, 1963 | 5/24/1963 | See Source »

...when a moving passage did come, it was intoxicating. Most memorable of all were the closing bars of Ich bin der Welt abhaden gekommen where Miss Forrester leapt a tenth with suppressed intensity, then faded out as a typically Mahlerian falling cello line, blending with the oboe high above, came to rest in a hushed cadence. Blicke mir nicht in die Lieder! was most consistently well performed here with precision and urgency; on the other hand, Um Mitternacht did not find even Miss Forrester compellingly moving until its dramatic ending. In any case, the results well justified their ambitiousness. Hats...

Author: By William A. Weber, | Title: Harvard-Radcliffe Orchestra | 5/8/1961 | See Source »

...original tape had no contrasts. I felt that the piece was static and monotonous because it lacked 'events'--that is, a sequences of random happenings that would give a sense of succession of ideas or moods. At its worst, Maxfield's music has an over-blown, almost Mahlerian grandiloquence...

Author: By William A. Weber, | Title: Avant-garde Music | 4/11/1961 | See Source »

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