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...Mahler: Symphony No. 2 (Ilona Stein-gruber, soprano; Hilde Rb'ssi-Majdan, alto; the Akademie Chamber Chorus and the Vienna Symphony Orchestra, Otto Klemperer conducting; Vox, 4 sides LP). The first of Mahler's king-sized symphonies, the "Resurrection" has moments of power and reverent beauty, and more traces of form than his later ones. The performance is good, the recording harsh...

Author: /time Magazine | Title: Music: New Records, Nov. 19, 1951 | 11/19/1951 | See Source »

...Mahler: Kindertotenlieder (Kathleen Ferrier, contralto; the Vienna Philharmonic Orchestra, Bruno Walter conducting; Columbia, 2 sides LP). Mahler set to music these five poems written by Friedrich Rueckert just after the death of his child. They are eloquently direct-the more so as sung by expressive Contralto Ferrier. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Oct. 22, 1951 | 10/22/1951 | See Source »

...moments, the rented studio of San Francisco's station KNBC was filled with the soaring strains of Mahler's Song of the Earth. Then, after three strokes on a bronze gong, a Chinese woman in a richly brocaded gown began speaking Mandarin into a goosenecked microphone. Her message, delivered for the first time just after sunup one morning last week, sped 6,000 miles across the Pacific to pierce the bamboo curtain that surrounds Red China. Radio Free Asia...

Author: /time Magazine | Title: Radio: Words for China | 9/17/1951 | See Source »

...crowd of 3,000 (300 standees). He reached back more than a century for his first two numbers: Weber's Euryanthe overture and Mozart's Symphony No. 39. Edinburgh applauded but was hardly swept away. But in the second half, Walter & Co. won a real ovation with Mahler's powerful Symphony No. 4 (1901). Fusing strings perfectly with the horns, the visitors gave Mahler* a sheen that few Britons had heard before. They whistled and shouted, called Conductor Walter back to the podium six times...

Author: /time Magazine | Title: Music: Reservations in Edinburgh | 9/3/1951 | See Source »

From the first night edition of the St. Louis Globe-Democrat, Kappesser began reading a past-tense-and less than favorable-account of his "ambitious direction" of Mahler's Second Symphony. "To say that Mr. Kappesser triumphed over [the music's] handicaps," read Conductor Kappesser, "would scarcely be accurate. He did his best. The same acclaim is due his singers and his orchestra." The audience laughed at a line about "an appreciative audience." Scornfully Kappesser read off the reviewer's initials: "H.R.B...

Author: /time Magazine | Title: The Press: Too-Early Bird | 4/9/1951 | See Source »

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