Word: mahlers
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...death in 1856. For some he is the link between Schubert's lyricism and Brahms' grandeur. But The New Grove Dictionary dismisses his symphonies as "inflated piano music with mainly routine orchestration." Because of their melodic fecundity and power, they remain widely performed and recorded. Still, conductors from Gustav Mahler to George Szell have edited their working scores, attempting to compensate for Schumann's putative deficiencies: amateurish orchestration; opaque, overdense textures; a shaky grasp of symphonic form...
...ready to rumble! Tonight, for one night and one night only, the two Teutonic titans of timbre go head-to-head in Sanders Theatre. At 8 p.m., The Harvard Radcliffe Orchestra (HRO) performs Beethoven's Symphony No. 5 and Mahler's Symphony No. 4. Music fans will also enjoy "Luonnotar," composed by the furious Finnish frenzy known only as Sibelius. Catch the opening event pre-concert lecture at 7 p.m. with Professor of Music Dr. Karen Painter. Tickets are available from the Sanders Theatre Box Office...
...symphony begins with the opening of summer and then proceeds in the second through seventh movements to explain the things that were told to Mahler by the inhabitants of a summer garden. This is nothing if not Romantic. According to legend, Mahler's life was almost as romantic as his music--which is obviously romantic even to the untrained ear--and if he didn't specialize in the torrid love affair, he definitely experienced a few of them. It's even more romantic that one of the most fabulous singers of the late nineties--Maxwell--who lists the great composer...
Most likely, the members of the Boston Symphony Orchestra have never heard of Maxwell. That didn't keep them from playing an excellent rendition of Mahler's Third Symphony last Friday to a packed house at Symphony Hall. The Symphony was accompanied by The Tanglewood Festival Chorus and the P.A.L.S. (Performing Artists at Lincoln School) and directed by Seiji Ozawa. The Orchestra played the music so pleasantly that throughout the performance they kept the audience in those most enjoyable moments just before sleep. The French horn section stood out and played beautifully in all of the sections in which they...
...stars of the evening, Mahler, Ozawa, and Quivar, were not equally matched on Friday. Though Quivar sang the German words of the fourth movement very beautifully and powerfully, and with the skill one expects of a diva, she didn't have the means to express her performance as passionately as the members of the orchestra. They moved with all of their might to make sounds that impressed the audience, yet she, singing in between their music, remained almost motionless during her performance. This stiffness was directly contrasted if not highlighted by Ozawa's spirited conducting not a foot away from...