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There, Texas Democrat George Mahon was opposed on principle to Vinson's order-and-direct move; but Mahon, a cautious fellow, declined to fight Vinson openly. Instead, two of the subcommittee's ablest Republican members, Michigan's Gerald R. Ford and Wisconsin's Melvin Laird, threw themselves into the overt fight against Vinson. They enlisted the support of Republican Floor Leader Charles Halleck-who had never quite forgiven Vinson for helping round up Southern votes to liberalize the conservative House Rules Committee...

Author: /time Magazine | Title: The Congress: The Admiral Strikes His Colors | 3/30/1962 | See Source »

...Democratic Floor Leader Carl Albert were urging President Kennedy to oppose Vinson actively. Both the President's prestige and their own, they argued, would suffer if the White House remained silent under Vinson's assault. Finally, the President agreed to go to work. He had George Mahon called out of an executive meeting of his subcommittee, talked to him for over an hour in the White House. When Mahon returned to the Hill, he was committed to rounding up Democratic votes against Vinson...

Author: /time Magazine | Title: The Congress: The Admiral Strikes His Colors | 3/30/1962 | See Source »

...Playboy of the Western World, Synge turns parricide into a theme for comedy, which, unlike most modern comedy, is neither sadistic nor despairing, Christy Mahon becomes the hero of the peasants when he wanders into their town telling of his heroic murder of his father. The sudden appearance of Old Mahon shows Christy up as a mere poet, a liar. And when he actually does perform the crime before their eyes, he becomes a criminal. "There's a great gap," says Pegeen Mike, the girl with whom he has fallen in love, "between a gallous story and a dirty deed...

Author: By Allan Katz, | Title: Playboy of Western World | 3/9/1962 | See Source »

Christopher Mahon is played by Tom Griffin. It is a difficult role, for Christy's character does not so much develop as burst from revelation to revelation. Ingenuous cowardice erupts into lyric bragging, which suddenly becomes an adolescent protestation of love. Christy's final and most important change from bondage to freedom, from boyhood to manhood, is as unexpected as the rest. Griffin plays the part with extraordinary exuberance and intelligence; he achieves the clarity necessary if the play is to make sense. Occasionally, as in the love scene and in the final scene of the play, his exuberance becomes...

Author: By Allan Katz, | Title: Playboy of Western World | 3/9/1962 | See Source »

...final analysis," said Mahon, "to effectively deter a would-be aggressor, we should maintain our armed forces in such a way and with such an understanding that, should it ever become obvious that an attack upon us or our allies is imminent, we can launch an attack before the aggressor has hit either us or our allies. This is an element of deterrence which the U.S. should not deny itself. No other form of deterrence can be fully relied upon...

Author: /time Magazine | Title: THE NATION: The True Deterrent | 5/9/1960 | See Source »

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