Word: mahonri
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Dates: during 1920-1929
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...Mahonri Young's sculpture, at the Rehn Gallery, was certainly the best exhibition seen in Manhattan since Jacob Epstein flashed his gauche madonnas on a startled babbittry (TIME, Nov. 28). Those who like to read sermons into clay could speak about the "dignity of toil." Sculptor Young had modeled peasants with sad and sensitive faces, a young girl (Spring in Brittany), Porteuse de Pain, and Porteuse de Poissons, figures of women bent beneath burdens, so as to include not a story but the pitying emotion of a fine novel in their strong and individual faces. His prizefighters were less...
...pioneer woman selected was not the ugly one executed by Mahonri Young; it was not the demure one executed by Jo Davidson; it was not the brawny one of James Earle Fraser, nor the placid one of Arthur Lee, nor the fragile one of F. Lynn Jenkins. Nor was it Maurice Sterne's, Hermon A. MacNeil's, Alexander Stirling Calder's, although these artists too were among those who made models for the competition...
Others of the clay frontierswomen are as frail as Lillian Gish (F. Lynn Jenkins'), as strong as Abe Lincoln (James Fraser's), cute as Ann Pennington (Mario Korbel's), homely as Will Rogers (Mahonri Young's), expressionless as the Venus de Milo (Arthur...
...shown in previous annals. This is due to the able leadership of Homer St. Gaudens (son of the famed sculptor), who has been Art Director of the Carnegie Institute for the past three years. Among the American paintings are works of Kenneth Hayes Miller, John Sloan, Henry Lee McFee, Mahonri Young, Eugene Speicher, William Glackens, Maurice Sterne, Robert Henri, George Bellows...
...Mahonri Young, sculptor, gave proof "to the public" at the Anderson Galleries, Manhattan, that art is a trade and a craft and that "there is nothing mysterious about being an artist." Before 300 amused spectators he worked 50 pounds of wet clay into "a sketch of Joseph Peennell," etcher (TIME, Jan. 14). Both chatted continuously...